oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
(林青慧 - 星之衣*羽之紗 Eternity)

Unsurprisingly, I have now forgotten everything about this, save the art was pretty and the story involved angels and demons.

There's the princess of heaven, and there's some big power of heaven that will help in their war against the demons, only no one knows who will wield that power. The princess is to marry whoever wields the power, at least, I think.

Um. And some demons show up to wreak havoc. It's not very dark and rather like Angel Diary in tone, and obviously not too memorable.
oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
(彭雪芬 - 青春無敵)

Xiang Wei Er has just transferred to a new school. As Our Heroine, she is full of spunk and sass, and she's a good student to boot. (Also, she has glasses! And she does not get a makeover that makes them go away! I approve.) But because of her good grades, she's assigned to tutor trouble student Yu Hen, who seems oddly attached to her, given that he's the leader of a pack of the cool kids at school and she's... not.

This is a pleasant, but largely forgettable manhua. Still, a lot of the manhua I was reading in the summer was so bad that pleasant and largely forgettable is good! And the art doesn't make me want to tear my eyes out. I know I am totally damning with faint praise, but when a genre and/or medium is taking off, it's pretty hard to find even average stuff done well.

There's something about Peng's art that feels very simple and not-quite-manga-esque, even though it is pretty standard art. I think it's the lack of tones and shadows on characters' faces and the way her line weights don't vary much, but I really wish I were able to give a few sample pages to artists to really figure it out. I've gotten to the point where I notice subconsciously, but I can't analyze.

Anyway, I enjoyed this, especially because Wei Er kicks Yu Hen around a lot, and that always makes me happy. And there's the thing in which he has a giant crush on her because she swooped in and saved him from being bullied as a kid!

And then... there is a magical tree. I am still not entirely sure what happened with that, or if the tree was actually magical or metaphorically so, and it was quite confusing.

I do hope the manhuajia writes more though, since she's got the basics down (except the random magic tree).
oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
(林珉萱 - 雞排公主)

Brain currently too jetlagged for coherent post on cultural appropriation. Here, have fluffy manhua about chicken instead!

Also, because I miraculously remembered my propensity to forget character names, I wrote them down before I returned the manhua!

... alas, I left the post-it in Taiwan. Of course. Thank goodness for online summaries...

Tao Yong Xin goes to a school that has a club for everything, and she's the president of the Fried Chicken* Club, which has two other members. But! The guitar playing club is trying to take over their club space, and as a means of bargaining, Yong Xin manages to get the teacher responsible for club stuff to promise to give them back their space... if only she can convince the troublesome playboy hero Zhou Yu Xi to join! But woe, he hates fried chicken!

This totally cracked me up and I love it, but as I'm sure you have all figured out, I am endlessly delighted by high-school shoujo and food, particularly when the two are combined! My favorite bits in this are when the heroine and her two friends (the two other members of the club) wax rhapsodic about the joys of fried chicken, over and over and over again. Oh, also, the hero hates all fried chicken, except the fried chicken the heroine makes. Of course.

One of the heroine's friends gets extremely good grades and is very cute. But as school gossip goes, she's apparently been seen fixated on a fried chicken vendor's pot of boiling oil. The other friend is very cute, but talks about fried chicken nonstop. And school gossip says the heroine herself is also very cute, but she's *gasp* been known to turn down a guy because she loves her fried chicken more!

My favorite line of dialogue is Yong Xin telling Yu Xi, "Oh, you're actually pretty nice! If I were any other girl, I'm sure I would fall head over heels for you! ... But I love fried chicken too much for that!"

Possibly there will be more character development and plot in latter volumes, but honestly, I do not care as long as they keep talking about fried chicken. Also, the art is good!


* Fried chicken here is actually not the US kind, but Taiwan 香雞排 (xiang ji pai), which is a kind of deep-fried chicken steak, probably pounded thin, with some kind of spice mix on top. It's usually sold in street stands, and they're really tasty.
oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
(岑小京 - 騎士公主)

From random online comments, it seems like the series has stopped? Even though volume four has definitely ended on a cliffhanger?

Please note that all my names will be horribly wrong, since I am transliterating from the Chinese and the Chinese is a transliteration of whatever language the author used to make up the characters' names. Chinese is a really sucky language for transliteration, I will just have you know. Also, I returned the books already and forgot to write down everyone's name, as usual. Sigh.

Spoilers for vols. 1-2 )

Sadly, this series has gotten much less interesting thanks to the guys getting most of the attention, even though one of the plot twists having to do with Yaxi had me clapping my hands with glee.
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(licensed in the UK as Cavalier Princess by Shiau-Jing Tsen)

Note: I don't remember most of the names in the series, and I can't look them up since I borrowed them in Taiwan.

Yaxi and her father wander about; Yaxi tries to keep her father out of trouble, and her father tries to pick up women. But soon, he tells her that her mother is actually the queen. They set out to the palace to catch a glimpse of her mother, and on the way, Yaxi ends up cross-dressing as a palace guard, getting to know her half-sister the princess, and falling in love with one of the guards.

There's a lot of plot so far: someone's controlling the king, the princess is to be engaged to a prince of another kingdom to prevent a war, the princess is in love with the same guard Yaxi is in love with (for values of "in love" for twelve- and fourteen-year-olds), and there's a mystical power passed along the royal bloodline that Yaxi of course has.

The art is actually better than most manhua art I've seen, though the bodies are still a little stiff and awkward. The plot has been interesting, and Cen has been pretty good about introducing a large cast of characters and giving a sense of history. I particularly like the hints about Yaxi's father and mother's story, along with the people in their generation.

Looking forward to seeing what happens next (although frustrated that I'll have to wait for my next trip back to do so).
oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
Kui Long and his older brother Tao Tie are two of ten dragon sons, though I'm not sure if the dragon bit is metaphorical or a reference to them being youkai or if they can actually turn into dragons, as we only see them in youkai and human form. The world is the same as one in a later Nan Gongyu series (Blue Sky Prayer or Cang Tian Qi), and it includes youkai/god figures/supernatural beings, reincarnation, resurrection, and curses. Much like other Nan Kongyuu works I like, this series is mostly a set of interconnected short stories, in which the two dragon brothers interact with humans, often to the detriment of the humans.

And slowly, we get more backstory on the brothers and why they are wandering around the human world instead of living in the palace with their family. The themes are fairly familiar now that I've read all of the manhuajia's backlist: loneliness, the need for human connection, human cruelty and human kindness, and the blessing and tragedy of being a removed, supernatural being. I wasn't particularly invested in the beginning, although the first story was nicely written and very pretty to look at. Then suddenly, I was invested in a sweet couple, in a resurrected young man who had committed suicide, in all the characters who love despite the hurt it causes them.

It helps that Nan Gongyu continues to hit my buttons with stories on resurrection and reincarnation that don't take the easy way out. On the other hand, Tao Tie's backstory could have used more fleshing out; I felt the tragedy was appropriately angsty, but that there should have been more reverberations in the present-day. And though I loved the story featuring a boy born without legs, it would also be nice if being differently abled in shoujo manga did not always equate having the bestest angst of them all. That thought should probably be an entire entry in and of itself...

Anyway, though this isn't as good as Lonesome Eden or White Garden, it's still got gorgeous art and sweet yet melancholy relationships, and I really, really, really wish this manhuajia were scanlated or licensed or even just on people's radars. I like her a lot, and I'm really looking forward to whatever she's working on now.

ETA: changed romanization
oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
(Title in Chinese: 幽夢影)

Que Ying Shuang's life is going very nicely until she runs across a half-dead Shan Yu Mu in the streets. She takes him in and finds out that he wanders from village to village because he has the ability to draw the future (like Kaitlyn in Dark Visions!) and most people tend to think he causes bad things to happen. Sure enough, bad things start to happen to Ying Shuang, and soon, she leaves to wander about with Yu Mu.

While the plot is somewhat interesting in a "bad things happen to those who think they can change fate" kind of way, the art is pretty terrible. It's very much like Yi Huan's: round and strangely stiff, and I can't help but think that the proportions are all off in some way. I did like that it was set in Song Dynasty China, but outside of that, everything seems fairly standard, and even if the plot moves away from one-offs and focus on the main villain to developing the relationship between Yu Mu and Ying Shuang, I'm still not sure I would be into it. There's just not much depth or sophistication in the story or the characterization, although Xiao Jun does have narrative drive down.
oyceter: man*ga [mahng' guh] n. Japanese comics. synonym: CRACK (manga is crack)
Nan Kongyuu (I'm using the romanization on the cover, which is non-standard. Standard romanization is Nan2 Gong1 Yu4) (ETA: changed entry title for consistency) hasn't written very much so far, but she seems to very much like amnesia, dolls, clones, pretty goth clothes, and lonely people. Her stories tend to have non-human beings who are more human than the actual humans, non-human beings suffering from loneliness inflicted on them by humans, humans suffering from even greater loneliness, and broken people finding and helping each other. If you can't tell, I already adore her.

It also doesn't hurt that her art and paneling are gorgeous (apologies; I have no scanner here so you get photos. Also, I am not sure the latter is the best example of paneling, but I love it anyway). Her art reminds me a little of Yuki Kaori and X-era CLAMP in its lush detail, jeweled and fringed eyes, and emphasis on tears, lace, wispy hair, and even more lace, and many of her stories have aspects that are taken from Yuki Kaori and CLAMP as well. Unlike Yuki Kaori and CLAMP, her stories tend to be much smaller in scope and more melancholy (as opposed to cracktastically angsty).

Qidan Melody )

Lonesome Eden )

White Garden )
oyceter: teruterubouzu default icon (Default)
AKA: My First Manhua

I've been trying to look for actual Chinese manhua instead of translations of manga, though it's been difficult. I suspect there's even more manhwa here than manhua, though possibly I'm looking in the wrong places. But given that a lot of the idol dramas in Taiwan are based on manga and manhwa, and given the prevalence of Japanese stores EVERYWHERE, I don't think I'm overestimating the prevalence of manga and the paucity of manhua, at least in Taiwan as opposed to other Chinese-speaking locales.

I did manage to find the recently licensed manhua Divine Melody, though I didn't get it because I didn't like the art that much. On the other hand, that was before I realized it had gender-bending, fox spirits, and reincarnation!

Angel Hair is a collection of three short stories. The frame story has two hikers coming across some ruins and a statue of the angel Nathaniel, who has a scar on his (zir? her? I am fairly sure he's coded male by the language, the story, and the art, but as we all know, it can be hard to tell) cheek and long hair on one side and short hair on the other. The three stories are all explanations of how he got the scar and the chopped off hair.

I find it rather disconcerting but not startling that the stories are all Euro-centric; I'm fairly sure the frame story is set in Europe, and all the characters have Western names.

The first story is about Princess Chantilly, her guardian angel Nathaniel, and the neighboring Prince Gouman (spellings are approximations). Chantilly wants Gouman to marry her because his country is richer and her country needs the money, but she has gorgeous long black hair and he hates black hair and loves blonde hair. The entire thing is about her begging her guardian angel to turn blonde. I found this story extremely frustrating and problematic for the obvious reasons.

The second story posits that Gouman and Nathaniel are actually close friends, and the third is Nathaniel's story. All of them star Chantilly, Nathaniel and Gouman, albeit in different capacities, and in all of them, black hair is abnormal or a sign of evil, while golden blondness is a sign of angelicness (literal and figurative). The final story does the most to argue with the simple black-blonde dichotomy, though still not enough for my taste. I'm not going to go into theories of self-hatred or wanting to be Western, because I think while that is a part of it, it is also too easy to blame it all on the person exhibiting the self-hatred and/or desire to be Western and to ignore fun things like cultural hegemony and cultural colonization.

In conclusion, really boring and problematic, with not-so-great art to boot. I think next, I will pick up the fox spirit one or one that was set in Song Dynasty China.

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