Sakura of DOOM

For the first few chapters that I read, I was enjoying Ava Morgyn's The Bane Witch, as heroine Piers Corbin heroically Gone Girled herself out of an abusive marriage by faking a combo poisoning-drowning and flailed her injured way north to seek refuge with a mysterious aunt, accidentally leaving a fairly significant trail behind her. Satisfying! Suspenseful! I was looking forward to seeing how she was gonna get out of this one!

Then Piers did indeed get north to the aunt and tap into her Family Birthright of Magical Revenge Poisoning. As the actual plot geared up, the more I understood what type of good time I was being expected to have, and, alas, the more it did, the less of a good time I was having.

So the way the family magic works is that all of the Corbin women have the magical ability -- nay, compulsion! -- to eat poison ingredients and convert them internally into a toxin that they can -- nay, must! -- use to murder Bad Men. It's always Men. They're always Bad. They know the men are Bad because they are also granted magical visions explaining how Bad they are. They absolutely never kill women (there are only ever women born in this family; they have to give male babies away at birth in case they accidentally kill them with their poison, and I don't think Ava Morgyn has ever heard of a trans person) or the innocent!

...except of course that the whole family is actually threatening to kill Piers, to protect themselves, if she doesn't accept her powers and start heroically murdering Bad Men. But OTHER THAN THAT they absolutely never kill women, or the innocent, so please have no qualms on that account! Piers' aunt explains: "Yes, Piers. Whatever has happened to you, you must never forget that there are predators and there are prey. We hunt the former, not the latter."

By the way, both irredeemably Bad Men that form the focus of Badness in this book -- Piers' evil and abusive husband, and the local serial killer who is also incidentally on the loose -- are shown to have been abused in childhood by irredeemably Bad Women, but we're not getting into that. There are Predators and there are Prey!

The book wants to make sure we understand that it's very important, righteous and ethical for the Cobin family to keep doing what they're doing because everybody knows nobody believes abused women and therefore vigilante justice is the only form of justice available. There are two cops in the book, by the way. One of them is the nice and ethical local sheriff who is Piers' love interest, who is allowing her to help him hunt the local serial killer despite being suspicious that she may have poisoned several people. The other is the nice and ethical local cop investigating her supposed murder back home, who is desperate to prove she's alive because she saved his life and he's very grateful. He understands about abuse, because his name is Reyes and he's from the Big City and his mother and sister were both abused by Bad Men. The problem with these good and handsome cops is that they're actually not willing enough to murder people, which is where Piers comes in:

HANDSOME GOOD COP BOYFRIEND: You don't want to help me arrest him, do you? You want to kill him.
PIERS: Doesn't he deserve it?
HANDSOME GOOD COP BOYFRIEND: That's not for us to decide.
PIERS: Isn't it? This is our community. You're an authority in maintaining law and order, and I'm a victim of domestic and sexual violence. Surely, there is no one more qualified than us.

This book was a USA Today bestseller, which does not surprise me. It taps into exactly the part of the cultural hindbrain that loves true crime, and serial killers, and violence that you can feel good about, in an uncomplicated way, because it's being meted out to Unquestionably Bad People. Justice is when bad people suffer and die. We're not too worried about how they turned out to be bad people. There are predators, and there are prey.