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And since Rachel asked, my five worst books ever!

In no particular order:

RL Stine - I can't remember which book this is, since there are so many with increasingly implausible and silly deaths. But the book had a character dying via a piece of dough placed in his/her mouth. The dough rose and miraculously acquired enough force to suffocate the person or to cause death via dough in the brain. I swear, I am not making this up.

Barbara Hambly, the Dragonsbane sequels - I think I may have blocked out how truly terrible these were from my mind. This is particularly sad, because I love Dragonsbane, but the sequels reverse a key decision in the original book (I think) and then begin to incorporate incoherent dimension- and/or time-travel. Other elements that I may or may not be remembering correctly: squalid details about homeless, addicted people in an alternate dystopic earth and how John either saves them or becomes one of them. Mely notes that there is also demonic mother-son incest, which I managed to scrub out of my memory.

Emma Donoghue, Slammerkin - So, there's the "rocks fall, everyone dies" ending, and then there's Slammerkin, in which rocks (metaphorically) fall, everyone dies; you sell your virginity for a red ribbon, get gang raped, then thrown out of the house; you abort your misbegotten gang rape child with a stick; and your best prostitute friend freezes to death on the street and you briefly think of burying her and instead pry a bottle of gin from her cold, dead fingers. The best thing? This is just the first hundred pages! It gets worse (spoilers)!

Robin Schone, Awaken, My Love - I cannot believe I actually finished this. Here's the original post. First, there is the gratuitous detailing of historical squalor. If two people are going to have sex later, I really do not want to know about how unclean they are when they pee, nor do I want details about bad breath, bad teeth, greasy hair, and dirty clothing. I do not mind these things, but when paired with descriptions of bulging tumescences and yonis and chakras and other nonsense blindly taken from the Kama Sutra, they are ridiculously funny. Also, the heroine's husband has apparently never heard of sex, masturbation, or orgasms, and he is supposedly a perfectly normal guy.

The hero's wife is frigid, so he rapes her into submission! We get entirely too detailed descriptions on dryness and tearing, zero remorse from the hero, and no sympathy from the author. Clearly, the hero's wife deserved it for being frigid, for having one leg be shorter than the other, and for being raped by her uncle when she was a child.

I still cannot believe I finished this. All I have to say is that it was before I started throwing books at walls.

And now, I can't think of a fifth, as they were either so bad that I never finished them, or mind-numbingly mediocre. Instead, I list: Piers Anthony, especially the Adept series and its gratuitous virtual sex (IIRC); Robert Jordan, with his notions of how women act; Anne McCaffrey's Freedom series; Anne Bishop's penis-shaped breadsticks; and the Beatrice Small book I started and never finished because it was just that bad in every possible aspect.
oyceter: Stack of books with text "mmm... books!" (mmm books)
Joanna's world unexpectedly collides with another when the powerful but insane mage Antryg Windrose gets lose. She ends up in Antryg's world, battling dark magical forces with the powers of her computer programming skills!

I am not quite sure what I think of this duology. In general, I like what Hambly is doing, but there are so many bits that I find jarring that I keep getting into the books and then getting thrown back out again.

The first is Joanna, whom I had a hard time figuring out. I get that she is a computer programmer and not good with people and very normal, but that very ordinariness without any particular quirks made her feel like a placeholder for the reader. In general, I would like her, and then I would have moments of feeling too tricked into liking her by her ordinariness.

Then there's Antryg. He's tall and supposedly insane, and I very much like that he's not handsome. On the other hand, I rolled my eyes a little at how he is the most powerful wizard in the world (or almost), how his insanity doesn't really seem insane, how he basically can figure everything out, and how he is almost infinitely forgiving.

And the thing is, I really wanted to like them, because they aren't your standard fantasy heroes.

The other thing that threw me off was the computer programming. I know this was written in the eighties, but still. I didn't believe Joanna as a computer programmer at all. Although please take this with a grain of salt, as I am not a computer programmer myself, particularly not one from the late eighties. It was just things like her saying, "This is a hardware problem, not a software one" and "I think in subroutines" that felt very off. It felt like Hambly trying to pull in programming talk into her fantasy world, and it only served to throw me out of the story.

Actually, in general, the computers threw me out of the story. They felt too handwavy. Because seriously! Not enough debugging! I'm sure some of it happened off screen, but still. All Joanna's suggested solutions based on her computer program mind pretty much work the first time, and even though she isn't programming per se, the little experience I've had with programming has me thinking that that really just doesn't happen.

Anyway.

I loved some of the characters very much, particularly the secondary characters (much Pella love). But I was irritated that the homosexual character was sort of a villain (with some redeeming qualities, but still) and was constantly referred to as a "pervert." And I was sad because I thought the beginning of book two would be a subversion of the usual "rescue the maiden in the tower" trope, but it didn't end up doing that.

Spoilers )

I am not actually this grumpy at the books; there were bits that I liked. But overall, it felt very uneven.

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