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Jenny Jameson found a silver boy with a tail on the beach the summer she was twelve, and she's never forgotten him. Ever since then, she's been on the hunt for supernatural beings for her family's corporation, and finally, Perrin resurfaces. Unfortunately, this only complicates matters, as Jenny's family is none other than the evil Consortium that has been the long-running villain through the Dirk & Steele series.

Adventure, narrow escapes, angst, UST, betrayal, and plot twists ensue. Alas, I read this almost two months ago, and of course I have forgotten everything.

Most of what I can recall is that I was a bit disappointed that there aren't more POC showing up in the Dirk & Steele series. I think there's about the same number throughout the series, since there aren't any intra-POC relationships AFAIK, and while I don't read the gargoyles and mermaids and shapeshifters and etc. as white, I am not sure if I should be reading them as POC either.

I'm never sure if I'm disappointed in the direction D&S is going or not. On the one hand, I love that the universe continues to expand and that we're not just limited to the usual sequel bait. On the other hand, I actually liked some of the D&S characters and have been waiting for their books for a while (EDDIE!). So... YMMV? I do wish the mythology were a bit more coherent, but then again, the everything-and-the-kitchen approach is also part of the series' charm.

Not one of the best D&S books for me, though I liked getting more of a look into the Consortium and the enemies of D&S, but not one of the worst either.
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Soria is a Dirk & Steele agent who can understand and speak any language someone living is speaking. Karr is a long-imprisoned shapeshifter whom no one can understand. Together, they have adventures!

First, I would like to note that Soria's superpower is the one I currently want most. OMG. Immediate language proficiency! I swoon at the notion!

Second, Soria has one arm due to an Angsty Background that is later revealed. I am ambivalent about this. I love having a romance novel heroine with a disability in which she is portrayed as attractive, sexy, capable, and strong. Thankfully, Soria's superpower is not "compensation" for her disability and she seems to avoid many (but not all?) tropes out there. On the other hand, I was bothered by the focus on arm loss as Angsty Background (a la so much manga) and the relative dearth of characters with disabilities sans Angsty Backstory or characters with disabilities who have had a disability for a while and are living with it fine thank you.

It feels as though the stories All About Ablism or about people first adjusting to having a disability are written for people without disabilities to give them an easier way to sympathize with the character and to emphasize that having a disability is the exception and Other, and it reminded me a lot of books about characters of color that are all about OMG Racism! It Exists! And Sucks!

I am still trying to educate myself about a lot of this, so I may very well be totally wrong. I also do not want to discount the positives of having a POC (!) heroine with a disability (!!) be sexy and awesome (!!!): ergo my ambivalence. I just want more so that we aren't counting on a handful of characters to represent vast continuities of experiences.

I also found the commentary on shapeshifter interbreeding interesting. Had it been someone other than Marjorie Liu, I would have been annoyed at the implications re: mixed-race people, but since Liu has so many multiracial characters in all her books (including Soria), the chimera can be read as chimera instead of as metaphors for people. (Other SF/F authors who use supernatural creatures as metaphors for real people, please take note.)

Unfortunately, while I thought a lot about things in the book, I wasn't that into the book itself. There was a lot more adventure and not as much character/relationship, which may work for some people but didn't as much for me. I know Liu frequently has characters who are irrationally attracted to each other and trust each other, and in some of her other books, I believe it more than in this one.

Still, I loved the return of several minor characters from previous D&S books (older women for the win!), and I continue to be taunted by the presence of Eddie in books not about him!

Overall: fast-paced with lots of plot, but it didn't actually stick that much in my brain.
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In the future (or possibly an alternate world), Los Angeles is populated by humans, vampires and werewolves. The vampires are slightly more accepted, thanks to their romanticized image, and they get to live in luxury. But they're kept in line by the Ventrix, a vampire who executes other vampires. The werewolves, on the other hand, live in poverty in tunnels below the city. To make matters worse, the humans have been growing less and less tolerant of both the vampires and the werewolves, and a series of vampire murders that look like they were done by werewolves isn't helping matters.

Keeli Maddox, granddaughter of the Grand Dame Alpha of the LA werewolves, ends up helping Michael, the vampire Ventrix, investigate the murders. Given that this is a paranormal, they unsurprisingly end up attracted to each other, despite the strong animosity between the vampires and the werewolves. Even so, a lot of plot goes on, as some factions are trying for a vampire-werewolf alliance, foreseeing a human effort to get rid of both of them, while others are vehemently opposed and want to stand back and let the humans get rid of the other side first.

Anyway! As you can tell, there's a lot of plotting, which isn't atypical of a Marjorie Liu novel. But what is atypical is that it all makes sense and comes together! I suspect this is the benefit of writing a one-off; the Dirk and Steele series is getting so convoluted and involves so many different mythologies that it can be very difficult to follow.

Also, I was hesitant to read this at first because I'm so sick of vampires and werewolves, but I really like Liu's take on them. I like that the focus is on vampire-werewolf relationships, not on vampire-human or werewolf-human relationships, and I like that neither the vampires nor the werewolves are romanticized. Instead, there's a little commentary on the human propensity for vampires and the vampire image of wealth and luxury and beauty. And I love that the heroine is a werewolf and that she has problems with anger management and violence.

Michael's attractive like most of Liu's heroes; he's silent and has a lot of angst but attempts to be kind and just instead of wallowing. And as mentioned, I love Keeli and her Grand Dame Alpha grandmother.

In conclusion: despite some misgivings at first, this ended up being one of Liu's books that I really liked. It does have more plot than relationship, but on the plus side, the plot is fun and engaging, and I love having a romance heroine who's violent and powerful and not reined in by the hero.
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Lannes is a gargoyle (related to the gargoyle from Liu's novella in Dark Dreamers). Despite his paranoia about being discovered and exploited by humans, he ends up helping a young woman, despite the fact that she's covered in blood, armed, attempting to carjack his Impala, and has no name or memory.

While I find this highly impractical on his part, it's nice to know that there are also heroes in romances who are Too Stupid To Live! Also, Liu manages to pull it off for reasons that I'm still trying to figure out.

Soon, both of them are trying to figure out who the woman is while assorted people are alternately shooting at them or running them off the road. Liu's prose is still a bit out of hand, particularly when it comes to descriptions, and the dialogue isn't as zingy, given that both Lannes and the woman are strong, silent types. On the other hand, I loved reading about the two of them together, particularly how both of them have to overcome a great deal of angst and fear of intimacy. Sometimes they seem to trust each other too easily, but again, I think Liu makes it work by isolating the two.

Also, I love that the two of them are silent and stoic and angsty. One of my favorite moments is when they're standing several feet apart for hours, one just waiting until the other's ready to talk.

The usual insane Liu plotting is also in evidence, although the way things come together make more sense in this book than in some of her others. That said, I enjoyed this most for the growing emotional connection between the leads.
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Doctor Rikki Kinn is treating what looks like an outbreak of Ebola in the Congo, but she soon gets tangled up in something much bigger. Enter Amiri the cheetah shapeshifter from Dirk & Steele, who is returning to Africa for the first time since being kidnapped by the Consortium.

I am not even going to attempt further plot explanation, as the larger this series gets, the more the plot starts sounding like something straight out of manga. This is, by the way, a plus.

I continue to like Liu's characters, and I was very glad to get a) an acknowledgement that Africa actually consists of many countries and Amiri being Kenyan != Amiri knowing everything about Africa ever and b) a black man as a non-African-American-marketed romance novel hero! I particularly like Amiri's kindness; he reminds me a lot of Artur. Rikki is also damaged and hurt, like many of Liu's heroines.

Also, I cheered because Eddie shows up again! He is still "ma'am"-ing people and Rikki ruffles his hair a lot, which I approve of. He is so cute.

On the downside, this book made me very, very uncomfortable, particularly because Rikki is white. In general, I do wish Liu would write more POC/POC relationships; most of them have been POC/white (including the parentage of most of the multiracial people). I was especially bugged in this book when Amiri and Rikki run across a group of women living together, and the woman in charge basically attempts to imprison and/or sell out Amiri and Rikki. There's also Amiri's past, which includes a dead Kenyan lover. And it was just the absence of black women and the presence of a white one, along with all the election rhetoric and the very racialized imagery of a black man and a white woman together.

I do realize all this is specifically USian while the story is set in the Congo, but on the other hand, Liu is writing about a US-based detective agency and her books are best-sellers here. So even if Amiri is not American, her audience is.

I also wanted to see more than the deadly diseases, violence and death of Africa. I realize this is a thriller-cum-romance and that nasty things have happened in all the foreign locales, but a) the nasty things in other foreign locales also makes me uncomfortable and b) I don't know. I am just tired of images of Africa that are "Death! Death! Danger! Death!"

Sooooo... I am not sure what the solution would be, and I wasn't throwing the book against a wall or pissed off. But I was deeply uncomfortable.
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Kitala Bell, famous violinist, has always been able to foresee deaths -- but only violent murders. Also, her music is magic. M'Cal is a Krackeni (merman) who has been enslaved to a witch; she forces him to use his music to sing out people's souls for her consumption. He's eventually sent out to steal Kit's soul, but they end up falling in love instead.

First, yay multiracial heroine and her black grandma! I don't know enough about Voodoo to know if the depictions are accurate or not, but for what it's worth, I didn't get the feeling of "Look at this primitive religion! They use bird parts!" or other such nonsense. Er, I don't think using bird parts equates primitive, but that tends to be the feeling I get from other people writing about it. I am still liking the number of powerful older women in this series, good, evil, and in between.

I was a little less into the romance this time around, which made me sad, because I'd been looking forward to Kit's story. I think Kit and M'Cal ended up falling in love too quickly for me to fully believe, particularly given Liu's set up of Kit's deliberate isolation and M'Cal's trust issues. I do like that they trust and like each other, but it just went too quickly for me.

On the other hand, the plot was immensely entertaining and insane!

Spoilers )

Possibly I am too easily entertained and/or amused, but hey, I need light fluffy reading right now.
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I swear, I tried to stop my headlong fall into Liu's books so I wouldn't burn out on them, but I don't seem to be slowing down...

Iris McGillis has a strange affinity for large cats, and when Blue Perrineau of Dirk & Steele, the detective agency cum front for psychic do-gooders, comes across her on a quest to find his half-brother, sparks fly.

I have to say, I love that Blue's half-brother literally runs away to join the circus.

I really liked both Iris and Blue, particularly Iris, who is quite a loner. It was neat getting to know Blue more as well, considering that he was the only one of the agents we met in Tiger Eye who didn't make much of an impression on me. I like Blue's gentleness and patience and Iris' wariness a lot, and the dialogue, as usual, is great.

The plot contains: international human organ trafficking, lost family members, a return of the Consortium, the reappearance of some plot points from Shadow Touch, three psychic factions and possibly two non-psychic factions (it's hard to say, as the factions keep metaphorically ripping off a Mission Impossible style mask and turning into other factions), and..... EYE LOSS!

Awesome. I think if Liu keeps going, she is going to hit Kinsale or manga levels of cracktasticness, at least in terms of plot.

I still get a little annoyed hearing about the married agents from previous books, although I was pleased to see that some of them had actual subplot, which made their appearance less gratuitous. I'm also glad that so far, there's only been one kid. I hope Miri gets more plot later, as well as Aggie from Liu's novella.

I was a little irked to see another Asian human trafficker, but then I remembered the existence of non-Asian white human traffickers. And I cheered when we discover that Blue speaks Farsi. Yay multiracial Middle Eastern hero who is not a sheik! I also cheered for the stronger older women, and for the small note that Iris' ancestors were from East Africa, albeit via the Middle East and Europe.

Anyway, I am continuing to enjoy this series, so much so that I camped out in a bookstore this afternoon and read all of Liu's short stories and novellas. I think the Chinese female assassin counter-terrorist secret agent vampire named Six (after the Cylon?) who is part of a squad of Chinese female counter-terrorist secret agents should get a novel, even though she isn't in the Dirk & Steele universe. Also, I want more about Aggie, who is kickass, snarky and made of awesome.
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Several people have already mentioned that this is a very flawed book, and how!

People are getting burned alive in Taiwan, and Dean Campbell of Dirk & Steele goes to investigate. He soon discovers that his childhood best friend and sweetheart Mirabelle Lee is actually alive, not dead as he's believed for twenty years. There is a lot of plot that involves dragons, several different factions, magical stones, mummies, strange memories, and probably some other things as well. It feels like Liu threw in everything and the kitchen sink, and despite the long exposition at the ending, I'm still not sure what happened. The book could have used about five fewer plots and been much more coherent.

That said, I actually enjoyed this a lot. I generally don't care that much about plot anyway, and given everyone's warnings, I felt free to completely ignore the plot and focus on the characters instead. It helped that the book included Taiwan (yay!), a heroine who lives in Bay Area and is Chinese, my favorite Dirk & Steele agent from the previous books, a lot of banter, childhood romances, romantic reunions and second chances. Given how cynical I am in real life about romantic reunions, I am not sure why this hits my buttons so hard, but it does.

Also, best lines ever:

"There, there." Miri patted his back. "If you like, I can touch your throbbing manhood and make it all better."

"Maybe I should handle your weeping flower. Water it with my hot man-juice. Caress your love grotto with my swinging showerhead."


I love Dean and Miri so much. I think they are my favorite couple so far, largely for the banter contrasting with the twenty years of angst.

And now, nitpicky things that only matter to me!

I was completely confused by the romanization of "Ni Ni" (grandma), as the book mostly seemed to be going with pinyin ("Nai nai"). I briefly thought it might be Canto or Taiwanese, except I'm pretty sure Miri only speaks Mandarin. (Dean does too! Awesomesauce!)

The Taipei still feels a little too shiny for me, though I liked the mention of stray dogs, Dean's observation that Taipei 101 looks like takeout cartons stacked on top of each other, National Taiwan University looking like concrete blocks, and the detail of the Far Eastern Hotel. Having spent part of an internship in that building, I squeed a bit when Liu mentions the bakery in the lobby.

Too bad Dean and Miri didn't have enough time for street food, what with all the demons and shapeshifters and people out to kill them.

Anyway, the plot is a total mess and the ending feels like a deus ex machina, I'm still confused as to why Dean can't sense Miri, and I'm not sure what the resolution means for the Dirk & Steele universe, but I am happily keeping the book anyway for good banter and sex that actually sounds like fun.

Links:
- [livejournal.com profile] oracne's review
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Though Tiger Eye is the first book in the series, this one is when the big plot arc kicks off.

Elena Baxter is a healer. Artur is a psychometrist who wears gloves all the time so he doesn't inadvertantly touch something and get horrible visions in his head. They end up meeting when they're both kidnapped by a mysterious organization and accidentally bonding when Elena heals Artur.

This is a pretty good book, and I felt I should have liked it more than I did, given the inclusion of "psychic kids adults in a lab" and "he can't touch anything." I would have had qualms with the standard female healer thing, only I like Elena a lot, and there's some spoilery stuff at the end that was made of awesome.

Liu handles the psychic bond between Elena and Artur very well; I usually don't like them, but I bought into this one. It helps that the psychic bond leads to moments like realizing the guy you're kissing can taste your morning breath.

Elena gets some great dialogue, my favorite probably being the snippet on Stockholm syndrome; Artur gets angst; new characters are introduced; and we learn more about Dirk & Steele. I'd normally be irritated by powerful woman villain in a series in which most of the Dirk & Steele agents seem to be men, but given Nancy Dirk and a character from Tiger Eye, it reads to me more as the universe just having lots of women in positions of power, which I cheer on.

There are also some great sex scenes with Elena and Artur -- Liu seems to be very good at writing sexy scenes that don't necessarily have sex, much like the glove scene in Loretta Chase's Lord of the Scoundrels. I loved Elena and Artur making their beds in the train! It doesn't sound sexy, but wow, the UST. Ditto with Artur keeping Elena from falling in another scene. Further points for the actual sex being a little awkward; they don't hit a comfortable position on first try, and I loved little details like that (and like the aforementioned morning breath).

So I'm not quite sure why I didn't connect emotionally. I think I wanted (even more) angst out of Artur; I am not fond of the "I cannot touch things! Oh wait, but I can touch you because you are so gentle/compassionate/whatever" trope. Again, Liu employs it fairly skillfully, but I stubbornly dug in my heels and wanted a romance in which the person who cannot touch still cannot quite touch the love interest without pain. Artur and Elena are really sweet together and incredibly romantic, but their particular story just didn't hit my buttons.

Links:
- [livejournal.com profile] oracne's review
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Despite several people reccing Liu to me, I've been avoiding her books after reading a snippet of one (Red Heart of Jade, I think) and being completely weirded out by the Taipei in it.

Dela Reese buys a strange puzzle box in a Beijing street market; the next thing she knows, she's surrounded by flashy golden lights and a seven-foot tall guy with a lot of weapons is demanding to know what her command is. When he learns that she doesn't want anyone killed or conquered, we get:

"If you did not bring me here to kill or fight, then I was summoned to pleasure your body." He looked like he would rather impale himself face-first on a bed of nails.


Not quite what I had envisioned, and thoroughly welcome!

My general impression of the recent paranormal trend is that they tend to be more sexually explicit and have better worldbuilding, but to my surprise, this book's strengths lie in the snappy dialogue and the characters. Not that the sex is bad, and the worldbuilding is pretty neat, but I am so glad to have a romance in which the characters actually feel like they're falling in love, not insta-lust.

Anyway, Hari (aforementioned seven-foot tall shapeshifter guy from the box) and Dela soon discover that not one, but two groups of people are out to kill Dela. Oh, also, Dela has psychic powers, namely, an affinity for metal, as does most of her family and the detective agency her family founded. To my surprise, Dela not only protests that she's capable of taking care of herself, most of the time she follows through. She's smart, funny, down-to-earth, and also wary. Hari's also a surprise -- rather than being the alpha male intent on seduction, he's fairly shy and hurt after being basically tortured and enslaved for two thousand years. My favorite part of the book was watching the two of them gradually get to know each other and trust each other; there's a sweetness about Hari that's particularly charming, especially when juxtaposed with Dela's practicality.

Some of the prose descriptions in the beginning were a little too purple for me, but Liu soon gets into Hari and Dela's voices, and that's when she really begins to shine. I haven't laughed so much while reading a romance for quite some time.

We later get to meet some of Dela's friends from Dirk & Steele, the detective agency cum hideout for other psychically-powered pepole. Normally, I would resent meeting all these people who were clearly going to star in the next books, but instead of giving me endless descriptions on how testosterone-ladden, gorgeous and broad-shouldered the men are, Liu focuses on their dialogue and personalities. For once, I'm actually excited to be reading the next books in the series because I want to know more about the characters (I have slight crushes on Dean for his total guy-ness and Eddie because he is cute and "ma'am"'s Dela).

In terms of gender politics, the only thing that really bugged me was that I wanted more women in Dirk & Steele. That's more a minor complaint, though; we get to meet one of Dela's female friends, and there are several powerful women in the background, including the co-founder of Dirk & Steele. In terms of race politics, I do wish that there were Chinese main characters, given the early setting in Beijing and a later subplot. While the inclusion of the Chinese mafia as villains in a book with a mostly white cast would normally bug me, I am not as irritated, given that Liu's later books do seem to star an Asian character (or more?). I'm particularly looking forward to the one that's set in Africa, starring an actual black man! Not specifically targeted as an African-American romance! (To clarify: I have no problem with African-American romances, but am irked that the trend of Exotified Ethnicities a la Harlequin Presents somehow always skips over black men.)

In conclusion: I am very happily surprised. This isn't just a good paranormal, it's a good romance and a fun read, period. I'm also extremely glad [livejournal.com profile] ladyjax persuaded me to buy the next book in the series last week and that I have the third one sitting around somewhere (Dean! In Taiwan! AWESOME!).

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