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Julian Southwood, Earl of Erith, will stop at nothing to be the next keeper of notorious courtesan Olivia Raines. Blah di blah notorious rake blah di blah courtesan's heart at risk blah di blah he will show her greater pleasure than she has ever known.

I am not sure why I keep picking up Anna Campbell, given that I threw Claiming the Courtesan and Untouched against walls after getting halfway through and two chapters through, respectively. Rape! Amazingly not sexy or romantic!

But I'm glad I did, because this book went completely against my expectations.

Minor spoilers )

I very much enjoyed that the book had a heroine with tons more angst than the hero, that the emphasis was on the hero learning to be not an alpha male, and that the hero's dead wife was not denigrated to make Olivia his One True Love. Again, it's sad that I'm amazed that the book acknowledges you can be in love for reals more than once in your life, but there you have it.

Unfortunately, the book loses steam around the 3/4s mark, and to generate more conflict, Campbell comes up with something that feels entirely out of character for Olivia and throws in bonus class issues and the couple from a previous book to boot. It's not enough to ruin the book for me, but I do wish it had ended more strongly.

Still, very interesting. So. Is it worth it for me to try Untouched again? (I hate the whole "I will totally assume you are an evil whore!" thing) How about Captive of Sin? (I am wary of PTSD from the hero's time in India and the Indian secondary character.) I'm still not trying Claiming the Courtesan again, as I was halfway through that and just hated the hero more and more as the book went on.
oyceter: Stack of books with text "mmm... books!" (mmm books)
Verity Ashton has been Soraya, famed courtesan, for twelve years. After she finally has enough to support herself, she breaks free and disappears. Unfortunately, her keeper, the Duke of Kylemore, isn't ready to let her go. He ends up kidnapping her by threatening her brother, and he's determined to make her his again.

[livejournal.com profile] oracne's description of the first chapter had me intrigued enough to check this out, despite the kidnapping plot: it's your standard prologue of the rake with his mistress, only in this case, the mistress is the heroine as well.

Unfortunately, the courtesan button wasn't enough to overcome pretty much every romance trope I hate ever. All right, I'll be fair. Campbell doesn't talk about yonis or the Kama Sutra, there is no skanky villain sex or evil homosexuals.

I got about two-thirds of the way through this because I adored Verity. I was hoping that the kidnapping plot and Verity's very real distress and fear would end up in a dark and disturbing relationship -- and it does. Unfortunately, the narrative doesn't seem to think so quite as much as I do. I did like how Campbell doesn't underplay Verity's situation, nor does she attempt to whitewash the duke. As such, I was rooting for Verity to brain him with a poker and run away with a nice guy.

But then, there were those stupid romance tropes, in which the duke starts feeling RLY RLY SORRY about kidnapping Verity and basically molesting her... not because kidnapping and molesting are bad things to do, but because Verity has been so brave through it that she didn't deserve it. Gag me. Then, he basically rapes her three times (so far), and of course she's still aroused despite her attempts not to be. At least she doesn't melt in his arms afterward. Somehow, the duke is still convinced that this is the best way to get her back, and once again, sex is portrayed as a woman's greatest weakness, even if said woman is a notorious courtesan.

Then, after rape #3, the duke goes off, and Verity wakes up, hearing a tortured cry in the night! Oh yes! Since they are in the house of his tortured childhood, he is having nightmares! Despite Verity basically having been kidnapped and raped, she goes to comfort him.

That was when I threw the book against a wall with great vehemence. I am guessing that the duke ends up repenting his wicked ways, but only because Verity is so wonderful, not because he was wrong. Also, he is an entitled jerk who goes around saying that she owes him -- not because she ran off with his money, not because she broke the contract, neither of which she did, but because she tricked him into supporting her!

I just... ARGH. And it would be better if there were some realization about the relative privileges of a rich white male duke in Regency England, when compared to a poor white woman who whores herself out for twelve years to eat, or some sort of realization that maybe her being nice to him because he was paying her wasn't some sort of fiendish womanly trick, or that possibly that affection was, oh, not earned? That him showering her with giant jewels does not necessitate that she return his feelings? ARGH! ARGH! ARGH!

I have no words for how much I hated Kylemore and wanted him to die, preferably, as aforementioned, with Verity beating him over the head with a poker. I will be nice and let him repent and grovel, but then, ideally, he would crawl off into a miserable corner and snivel while she runs off to another country and starts her own business.

Note to authors: possibly the best way to win a courtesan's heart is not to force sex on her, especially if she became one out of some financial or societal pressure. Just maybe.

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