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Sun, Jul. 2nd, 2006 10:51 am
oyceter: (bleach parakeet of doom!)
We're just about to head off to Din Tai Fung for Shanghainese soup dumplings, but before I go...

Everyone, go take Rachel's poll.

As a bit of an explanation, we were looking through some of her Harlequins last night, wondering why all the Exoticised Ethnicities in the titles (The Greek's Secret Passion and In the Spaniard's Bed. These are real titles, by the way.) were Greek, Italian, Spanish, or Sheik. Yes, Sheik seems to be a minority.

And so, we started coming up with our own alliterative titles, which get progressively more on crack, because we are twelve.

Actually, I think doing this may have lowered my mental age to eight.

As you can all probably figure out, there was a whole lot of cackling involved. "Penurious? No, that's not romantic."

"How about: The Werewolf's Weeping Widow?"

"What's a country starting with W?"

"Uh......"

"Indian! We have to do Indian!"

"Indigenous Indian? Wait, wait! Infernal!"

"Ninjas! We must do ninjas!"

"Nerdy? Nincompoop? Argh!"

"Nasty! A nasty ninja!"

"Oh my god, I would totally read that."

"We have to include Africa! We must be equal opportunity!"

"The Ethnic Ethiopian's Eternal Embrace!"

"Oh my god, he's a vampire, like the Vietnamese one!"

Yes, my friends, this is what my SAT-enhanced vocabulary goes to.
oyceter: (neener)
I went to see The Da Vinci Code with my parents on the weekend, despite loathing the book. Well, honestly, I don't loathe it the way I've loathed other books; I just think that the author is lazy and that the prose is horrific. I wouldn't be so irked about the whole Grail conspiracy theory had Dan Brown not included a disclaimer in the front saying that things were indeed truthful and had his theory of the sacred feminine not been so rage-inducing.

That said, I was actually rather entertained by the movie, largely because Ron Howard is a much better movie-maker than Dan Brown is a writer. It's too bad the movie sticks so closely to the book (and yes, this may be the first and last time you will ever hear me say this), because the visuals of the movie are lovely. There's the opening sequence in which a man is being pursued through the Louvre, and the camera lingers on all the famous paintings for just a little.

There are the flashbacks to the Crusades and assorted other things in a muted sepia, knights in armor, cathedrals, marble effigies and etc.

Audrey Tautou is beautiful, despite having nothing to do.

So... yes, I like it as a movie in that it is beautiful to look at and a solid piece of filmmaking, with a wonderfully fun performance by Ian McKlellan.

Sadly, said solid piece of filmmaking is saddled with the book, which is, frankly, ridiculous. First, I nearly snickered through the entire opening, because the thought of a man shot through the gut having enough time to plant clues throughout the museum as he was bleeding his life out was ludicrous. The director tries to make things work, but honestly, there's only so much you can do when the villain of the piece is a fanatic, masochistic albino dressed in monk's robes who routinely flagellates himself while muttering in Latin.

Albino.

Yeah.

Just typing that makes me snicker. Also, I somehow doubt that Dan Brown realized how ludicrous said fanatic, masochistic albino in medieval monk's robes looks talking on a cell phone, even if the conversation is in Latin (or Italian? I can't tell).

And the entire explanation of the conspiracy still makes me want to laugh because it's so nonsensical. Thankfully, the script cuts a lot of the blathering that goes on in the book about the sacred feminine and blah blah blah, and there's less taking the conspiracy at face value.

So... pretty movie with much talent involved, and despite the many attempts to circumvent the awful, awful prose of the book (I mean... Mary Sue awful), still gets bogged down by the plot.
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