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Meg Venturi's grandfather Dan has just died and left her half of his business. Unfortunately, Meg spent most of her life trying to get out of the jewelry industry, and even worse, the other half belongs to Dan's new partner Riley, who's silent, grumpy, and suspected to be a murderer.

While Meg's in town dealing with funeral arrangements, she receives some mysterious threats. Soon, she's trying to untangle why people hate Riley, who's sending the threats, and if her previously mean cousin Cliff's current niceness is real or fake.

I didn't take [livejournal.com profile] rachelmanija's advice and read this before I was very acquainted with the Gothic genre. On the other hand, I think I caught most of its commentary on genre conventions. I particularly love the housekeeper who roleplays assorted fictional housekeepers depending on her mood and the callout to Mrs. Danvers, but mostly, what I like about the book is how it comments on the gendered conventions in gothics.

Meg is so not an ingenue; she's grumpy and independent and doesn't allow herself to be intimidated by anyone. I also liked how she basically acted exactly like Dan, only Dan's behavior was accepted because he was male while hers is seen as more suspect because she's female. And the guys end up being the damsels in distress! Even more, I love the ending, which has Meg not only kicking ass, but using all her resources and brains and guts. The romance also worked for me.

In conclusion: highly enjoyable.

So if I want to pick up more Barbara Michaels, which ones should I read?
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Marianne Ransom has just been orphaned, and she's on her way to London to hopefully find a job as a governess. But Marianne has different plans, and she ends up stumbling into some rather unsavory elements of Victorian London. In the end, she's taken on by a rich duchess for her supposed relationship to a famous spiritualist.

I'm not actually sure if this is a gothic or a mystery; none of the men seemed all that threatening to Marianne after her first London encounter, but on the other hand, there is a forbidding house with secret passages, an overprotective head housekeeper, and a woman who hides her disfigured face under a veil. What made it less gothic-y to me was Marianne's largely unfazed attitude. She's most definitely an ingenue, and very much eighteen years old to boot, but she also learns rather quickly and ends up having a bit of a backbone. I liked her a lot, despite or possibly because of how the omniscient narrator pokes at her faults.

Anyhow, this was a very fun read that drew me in via the plot and the developing relationships between the characters.

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