Sakura of DOOM

(books two and three of the Lumatere Chronicles)

You can read the first book of the trilogy, Finnikin of the Rock, as a standalone, but these work best as two halves of a single book.

Trigger warning: The book has a lot of abuse (sexual and non-sexual) in it.

Three years after the events of Finnikin, former Lumateran exile Froi is sent into the royal court of neighboring country and enemy Charyn. As he's there, he's intrigued by the despised princess Quintana and quickly entangled in really messy political stuff.

I'm not sure these books are better than Finnikin, as Finnikin has much better pacing and structure, but once I finished both of them, I'm pretty sure I like them even more. If you thought the topics of healing (both individual and country-wide), instutionalized violence and abuse, found families, war, and making peace were difficult in Finnikin, they are even more so here. Ditto the proliferation of really awesome women, and I was incredibly happy to see a gay character with a canonical gay romance.

( Spoilers )

I feel like the last few paragraphs have all been about my quibbles with the books, but honestly, they are very, very good, and they tackle issues and do a lot of things that a lot of fantasy doesn't. Both books aren't paced nearly as well as the first book, but they cover a lot more territory and plot, so despite the unevenness, I like them much more. Definitely recommended.

Links (assume spoilers):
- skygiants' list of ways the books are a romantic comedy

(book one of the Lumatere Chronicles)

Warning: there is a fair amount of sexual violence in this book

Ten years ago, the impostor king slaughtered the royal family of Lumatere. In the panic, the people of Lumatere turned on the Forest Dwellers, an oppressed minority in the country, and when they burned one of them at stake, she cursed the land and the people. As such, half of the Lumaterans are trapped in its borders and the other half are wandering exiles who don't know anything of what is now going on within their country. Finnikin of the Rock is one of these exiles, and he and his mentor are recruited by a girl Evanjalin who claims she can lead them to the heir and break the curse.

Marchetta says, "I was told often that I couldn't write fantasy unless I had read all the greats and knew the conventions well." I think the book is a good example of both why this is right and wrong. The worldbuilding isn't the best I've read, but it's also not bad: Marchetta has thought about things like trade and economics and minority populations and how each country has its own subpopulations. I particularly like notes such as how one country hates the Lumateran exiles because the Lumateran curse has cut off their access to the river trade and thereby improverished the country. On the other hand, I wanted a broader range of cultures and governing styles across the countries, especially because this book is so concerned with hereditary rulers and blood. It's also, like so much of fantasy, vaguely Eurocentric in inspiration, and I found that and the focus on prophecy and gathering together enough plot tokens people to defeat the curse not nearly as interesting. One specific prophecy in the book rears its head several times quite annoyingly.

That said, this is above-calibre fantasy in terms of characters; I didn't mind the various people Finnikin and Evanjalin had to round up because I found them all interesting. Also, I love that the book explores themes about community and nation and loss, how big the loss of Lumatere is to all the Lumaterans but also how they all react differently. I kind of wished that the journey to gather all the exiles had taken longer and been more difficult, especially given how many qualms Finnikin has about their quest.

Also, while the book seems very heavy on the male characters, Evanjalin is absolutely awesome and terrifying in a way I think many female characters don't get to be.

( Spoilers )

Also, I am really not sure why this was published as YA, except for YA being Marchetta's usual genre of choice.

In conclusion: very good, and I really hope Marchetta keeps writing fantasy and hopefully starts to mess around with more genre conventions. (Also, I totally blame this book for completely wrecking my sleep schedule.)

Links:
- rilina's review
- lab's review (middle of entry)