Sakura of DOOM

What I've just read: Finally finished Cecilia Grant's first book and read the second (interesting new author, see review), which lead to a bit of a romance spree. Went through Sherry Thomas' Tempting the Bride, which I liked due to longing and unrequitedness and amnesia, though tbh, didn't really buy the hero's sudden non-taunting of the heroine even though I love it due to aforementioned angst. Read Meredith Duran's That Scandalous Summer (like the heroine, bleh for the hero, got really disinterested toward the middle and end) and her novella, Your Wicked Heart, which has a heroine who reminds me a great deal of Olympia from Laura Kinsale's Seize the Fire. Also, I think it has the hero I've liked best out of her books so far... I love Duran's prose and I love her heroines, but I frequently want to brain the heroes and get really lost during her plots. Then Rose Lerner's A Lily Among Thorns, which has an adorkable tailor hero who asks about clothes and fashion and can cook. Couldn't completely get into it, though, I think because the dialogue sounded too modern for me? (Then again, I know zero about Regency outside of romance novels.)

Finally finished Made to Stick: Why Some Ideas Survive and Others Die, which I had been reading for so long that I forgot to include it on my "currently reading list" for the past few Wednesdays.

Also read Alaya Dawn Johnson's The Summer Prince, which I REALLY liked. The reviews on Goodreads seem to be very love it or hate it, though. Also, I rolled my eyes at the ones that were all "There's so much sex in this! Homosexuality and bisexuality is no big deal?!" and reviews complaining about too many original terms ("waka," "grande," etc.). I suspect I have very different expectations compared to the current YA SF audience?

...the length of this section correlates inversely with how much sleep I have been getting. orz

What I'm reading now: Still in the middle of Ben Aaronovitch's Rivers of London. Probably something else I started months ago and promptly forgot?

What I'm reading next: Er, hopefully the book I'm reviewing for my Con or Bust offer. More realistically, probably a ton more romance novels.

This related to Bound by Your Touch in that the heroes know each other, but they barely show up in each other's stories (I like that, although YMMV).

British spy Phineas Granville meets American flibbertidget Mina Masters in Hong Kong (why all the "exotic" settings WHY?), where she saves his life at some cost to her own. Four years later, Phin wants out of the spy game, but Mina is in trouble, and he's the only person she can think of to go to for help.

Thankfully for my blood pressure, the book gets out of Hong Kong fairly quickly, so I can not have British colonialism shoved in my face again. That said, there are still mentions of Phin's older spy missions, all of which are exactly as imperialist as you might think and focus on his white man angst instead of the brown people being screwed over, but at least it's not the main plot. It's so sad that nowadays, I almost prefer that romances stay all white and all in America or Western Europe and ignore the POC there, because when they don't, there's so much fail. I managed to not think about it so I could enjoy the book, but it's still there.

Anyway! With all that in mind, I actually loved this. Mina is an excellent heroine: she is stunningly gorgeous and knows it and uses it to her advantage, she detests being caged, and she is incredibly smart. One of the most frustrating yet most rewarding parts of the book is watching Phin find this out. At first, he suspects her of pretty much everything, leading to some standard "I loom over you to threaten you and make you talk" scenes, but Mina won't have any of it. I loved her description of one of their kisses, in which she mentally notes that it's very skilled, but forced seduction is both boring and predictable.

She has constructed an entire facade that almost everyone buys into because no one, not even Phin at first, believes she could be as intelligent as the evidence shows. I was so happy when she calls Phin out on how he assumed someone had to be behind her because of course she couldn't possibly have done it herself.

I also love her entire brainless bombshell routine, as it feeds into my love of the Scarlet Pimpernel fop-hiding-something trope. Here's Mina telling Phin of when a priest ran over her dog Mongol and she used it to blackmail the priest for chocolate:

"Blackmail? We called it a friendly agreement. By the end of the year, I wished I had another terrier for him to kill. But not really," she added quickly. "Wouldn't that be too bad of me! I much preferred Mongol to chocolate. Dogs are always much better than chocolate, of course, because they're alive." She paused to frown. "Then again, if one counts mold, I suppose some of the chocolate was also alive in the end... the cherry-filled ones, you understand; I never liked cherries. Well, it's all rather confusing."

After Phin gets over his misunderstanding, he turns out to be a rather nice hero, even though I still wanted to bash him over the head in the final conflict. I liked how he actually bothers to listen to Mina, that he understands her jokes and what it means for her to call his body "beautiful" and to comment "Why you're a pocket Venus write large, Ashmore."

Sex-wise, I wish Duran had gone farther. I feel bad for pushing for dominant heroines in every single romance review I do ever, given that it's not for everyone, but there's just such a lack of them! I can still count the number of dominant heroines on one hand. It was especially frustrating because Mina clearly gets off on it in an earlier scene: she's bored until she makes Phin lose control, backs him up against a wall, and marks him. She also makes a move to blindfold him and possibly tie him up later, but then Duran turns the tables on her. I did appreciate Mina thinking that even blindfolded and tied up, she was still choosing what to give and what not to, but it was so close! I'm so frustrated by how almost all the romances I read never have the hero tied up, or even if they do, they still manage to give him control. Even with these complaints, Duran still manages to pack character and relationship development into the sex scenes, which impressed me given how hard it is to do.

And as mentioned previously, the issue of control isn't a passing one for the book. Mina has fought tooth and nail to control her own life, which is one reason why I would have liked to see more of that in the sex, as well as why I was so annoyed by the final conflict and how it's all about Phin's issues and resolving them instead of Mina's.

In conclusion: I loved this, even though I wanted it to go farther and wished it hadn't had scenes in Hong Kong. I'm also extremely frustrated, because Duran is clearly a good writer doing interesting things, but she also seems to be very into the whole "exotic" setting with white people frolicking about, which means I will probably avoid many of her books. (I couldn't even get past the first chapter of Duke of Shadows because it pissed me off so much.) These settings are not exotic, they are not backdrop, they have people who live there and speak the language and grew up there and have relatives there. And the time period these books take place in is one that devastated the places being used as mere stage settings, these places that are people's homes.