Romances with female tops
Wed, Dec. 8th, 2010 11:36 pmI've lately gotten into yet another bad romance novel* binge, and that plus quite a few conversations with
daedala, as well as
rachelmanija's recent review of Joey Hill's The Vampire Queen's Servant are prompting this post.
As Rachel notes, it's pretty hard to find sexually dominant women in romances. It has been getting slightly better, but a dominant heroine is still so rare that I still cheer when the heroine just takes the lead in a single sex scene in a book!
So here are the ones I have found! Please leave more in comments if you have them! I realize a lot of them are going to have a billion qualifications, since I can still count the number of dominant heroines on one hand, but even romances in which one of the sex scenes has the heroine taking the lead is good!
That said, my criteria is that the heroine has to take the lead in the actual sex scene. I've read way too many romances in which the heroine looks like she will take the lead or take control, but once it comes to sex, it's directed by the hero all the way. My definition of "taking the lead" is a bit fuzzy, but it usually involves tying people up, ordering them around, orchestrating the entire scene, etc.
Disclaimer: I'm not very knowledgeable about the BDSM scene, so the terminology below is adapted from book or review descriptions and possibly not accurately used. (Please let me know if anything is wrong and/or offensive!)
Definitely dominant
In which the heroine is no-questions-barred in charge and the hero enjoys submitting to her
Almost but not quite there
In which the heroine enjoys topping or inflicting pain, but the power dynamic isn't kept through the entire book
Single scenes
In which the heroine takes control in at least one sex scene, even if it's not really about her being the sexually dominant partner
* I have nothing against the romance genre, and I think a lot of people's denigration of the genre is sexist in nature. However, I also dislike the frequent heteronormativity and racefail of romances. Also, this particular binge was particularly bad because I read all the books by romance authors I like, nothing new is coming out from them for a few months, I have started reading other people's recs even though their tastes are not mine, and I have started randomly picking books off the library shelves, which... is not a great way to get quality books.
As Rachel notes, it's pretty hard to find sexually dominant women in romances. It has been getting slightly better, but a dominant heroine is still so rare that I still cheer when the heroine just takes the lead in a single sex scene in a book!
So here are the ones I have found! Please leave more in comments if you have them! I realize a lot of them are going to have a billion qualifications, since I can still count the number of dominant heroines on one hand, but even romances in which one of the sex scenes has the heroine taking the lead is good!
That said, my criteria is that the heroine has to take the lead in the actual sex scene. I've read way too many romances in which the heroine looks like she will take the lead or take control, but once it comes to sex, it's directed by the hero all the way. My definition of "taking the lead" is a bit fuzzy, but it usually involves tying people up, ordering them around, orchestrating the entire scene, etc.
Disclaimer: I'm not very knowledgeable about the BDSM scene, so the terminology below is adapted from book or review descriptions and possibly not accurately used. (Please let me know if anything is wrong and/or offensive!)
Definitely dominant
In which the heroine is no-questions-barred in charge and the hero enjoys submitting to her
- Evie Byrne, Damned by Blood - More vampires! The prose isn't great, and the guy is in charge in the first few sex scenes, but I like that the book is about the heroine hating being submissive and taking control later.
- Megan Hart, Pleasure and Purpose - the third novella in this collection has a Domme.
- Joey W. Hill, Mistress of Redemption - BDSM erotica. Prose and world weren't enough for me to get through this. On the plus side, the heroine's Dark Angst is that she literally tore out her lover's heart and ate it. Not quite as good as the zombie dinosaur apocalypse of A Witch's Beauty, but hey, I'm not complaining!
- Joey W. Hill, Natural Law - BDSM erotica, same world as the above. The prose and plot are kind of terrible, but the psychological look at breaking down the male sub is kind of awesomesauce. (Also, still annoyed about Mandarin collars = Japanese clothing!)
- Joey W. Hill, The Vampire Queen's Servant and The Mark of the Vampire Queen - I haven't actually finished these, but from a skim and from Rachel's report, the prose is kind of terrible and there is a lot of sex.
- Joey W. Hill, A Vampire's Claim - same world as the above books. It had too much sex and not enough character for me, and it veers so far to the dominant heroine that I had consent issues with how she was treating the guy.
- Laura Kinsale, Shadowheart - The heroine discovers her own SM tendencies while also discovering her own political power. Still one of the most explicit female tops I've read in genre romance that isn't erotica or erotic romance.
- (ETA) Stephanie Vaughan, Cruel to Be Kind - femdom in a small town teaching a guy to be a sub. I love the heroine and the early scenes where the hero is like "What is going on?!" but ultimately don't really like the hero.
Almost but not quite there
In which the heroine enjoys topping or inflicting pain, but the power dynamic isn't kept through the entire book
- Joey W. Hill, Ice Queen and Mirror of My Soul - same world as Natural Law and Mistress. The heroine is one of the best Dommes in the series' exclusive BDSM club, so we get scenes with her doing that, but the books are mostly about her learning to sub for a male dom.
- Lydia Joyce, Shadows of the Night - historical romance in which the heroine dislikes her lack of control over her life and finds out she likes SM and hurting her husband, minus points because her husband basically forces her to do it.
- Anne Rice, Exit to Eden - I haven't read this for a long time, but IIRC, the heroine is a Domme at a BDSM club, and the hero is a reluctant sub, but when they are out of the club, she dominates less.
Single scenes
In which the heroine takes control in at least one sex scene, even if it's not really about her being the sexually dominant partner
- Connie Brockway, All Through the Night - she's a thief and ties him to a chair at one point and fondles him. No sex.
- Nicola Cornick, One Wicked Sin - she ties him up in one scene!
- Megan Hart, Layover - Novella. there's a lot of hints that the heroine likes to take control, but it's less overt than some of the other books here.
- Megan Hart and Lauren Dane, Taking Care of Business and No Reservations - One of the two heroines in the book likes bossing around her lover. I haven't read the second but assume it has more bossing around, as the characters are the same.
- Elizabeth Hoyt, To Seduce a Sinner - heroine is annoyed her husband is "wham bam thank you ma'am," seduces him.
- Elizabeth Hoyt, Wicked Intentions - heroine ties the hero up in one scene!
- Victoria Janssen, The Duchess, Her Maid, the Groom, and Their Lover - one of the side female characters ties the hero down and has fun with him. The primary romance has an older woman in charge, though my feeling was that she didn't always want to be in charge.
- Julia Quinn, When He Was Wicked - Francesca gets to direct one sex scene and is literally on top.
* I have nothing against the romance genre, and I think a lot of people's denigration of the genre is sexist in nature. However, I also dislike the frequent heteronormativity and racefail of romances. Also, this particular binge was particularly bad because I read all the books by romance authors I like, nothing new is coming out from them for a few months, I have started reading other people's recs even though their tastes are not mine, and I have started randomly picking books off the library shelves, which... is not a great way to get quality books.
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(no subject)
Thu, Dec. 9th, 2010 05:14 pm (UTC)Ahahaha, oh yes. I find romances have a much higher random pick-up strike-out rate for me as well, because the back cover copy all sounds the same.
I tend to read more historicals than contemporaries, so sadly a dearth of recs! Of the ones mentioned above, Evie Byrne and Joey Hill are contemporary paranormals and Megan Hart is contemporary (with the exception of her Order of Solace series, which is vaguely EuroAlternaWorld).
Marjorie Liu, yay! Yes, I definitely like her, though I've bounced off her Hunter's Kiss series. She tends to have lots of multiracial characters without much racefail and TOTAL CRACK WORLDBUILDING. My favs are Taste of Crimson (alpha female werewolf!), Shadow Touch (angsty psychics!), Dark Dreamers (multiracial heroine being super awesome!), and Wild Road (amnesia!).
Nalini Singh also has a lot of multiracial characters, but unfortunately, she also has a lot of Starbucks description (mocha, caramel, chocolate blah blah blah). She also tends to like her guys super alpha and animal-like, which turns me off, but I do like some of the interesting things with gender and emotion.
Meljean Brook does absolutely over-the-top crack with angels and demons and Guardians and vampires and nosferatu and anything else she can think of. She has two multiracial heroines, one (Demon Moon) of whom is awesome but stuck with a hero I want to slap (anything from heroine's pov is fun, hero's pov is all Starbucks description and Orientalizing), one (Demon Bound) of whom seems to have a multiracial background thrown in there and never mentioned again. I like that a lot of her women are older and/or more powerful than the heroes they're matched up with, and her take on vampires and bloodlust is a really interesting twist. She says most people have responded better by starting with Demon Night, which kicks off most of the plot arc stuff.
I haven't read Eileen Wilks, but
Shana Abe's drakon series is paranormal historical, so YMMV. She tends to do cool and angsty heroines, but most of her heroes are asshats. Dream Thief is my fav, and the latest in the series (Time Weaver) feels more straight-up fantasy than romance, and I feel the strongest relationship in it is between the mother-daughter figures.
As you may have noticed, Joey Hill can be very hit or miss. My fav of hers is A Witch's Beauty, which has OTT angel-mermaid crack and a dinosaur apocalypse and a heroine who is severely scarred and half evil. Natural Law is probably the best of her femdom ones. Hill tends to have obvious roll-your-eyes Orientalizing (she named her half-elf half-Japanese heroine Elyssa Amaterasu Yamato Wentworth AHAHAHAHA); it's so obvious I mostly point and laugh but YMMV.
For non-paranormal contemporaries, I like Jennifer Crusie, who is funny and feminist, but unfortunately very white feminist.
There's also Jeannie Lin's Butterfly Swords. It's a historical, but I figured I should mention it for POC author and Chinese heroine and setting in Tang Dynasty China. I haven't read it yet and am sad the hero is a white guy, but I bought it to support non-Euro historical settings. Also, Lin says she based a lot of it on her love for wuxia!
(no subject)
Thu, Dec. 9th, 2010 06:43 pm (UTC)(no subject)
Thu, Dec. 9th, 2010 06:44 pm (UTC)(no subject)
Thu, Dec. 9th, 2010 07:04 pm (UTC)(no subject)
Thu, Dec. 9th, 2010 10:04 pm (UTC)I haven't read any of the others you listed, so I'll have to check them out.
(no subject)
Mon, Jan. 3rd, 2011 09:01 am (UTC)Hahaha Ms. Starkey can be blamed for so many things!
Will be interested to know what you think about any of the ones you end up picking up!
Meljean Brook also started a new steampunk romance series with The Iron Duke... I started reading it and stopped because I thought the faceless horde of villains was E. Asian, but Jane on Dear Author mentioned she liked the treatment of the biracial heroine and race in general in the book, so... I may try it again.
I also just found a Joey Hill short story in Lace with Desire about a black female sub who is in the army and ends up getting blinded and severely scarred in battle and still gets to have hot sex! I skimmed it really fast because there are some standard "Oh Joey Hill really?" moments in there, but mentally bookmarked it because the black heroine in a non-Black-audience-targeted line plus differently abled is SO RARE in romance.
(no subject)
Mon, Jan. 3rd, 2011 07:23 pm (UTC)(no subject)
Tue, Jan. 4th, 2011 02:35 am (UTC)(no subject)
Mon, Feb. 7th, 2011 12:59 am (UTC)(no subject)
Mon, Feb. 7th, 2011 05:23 am (UTC)Also, OMG, if you know any other non-racist romances with POC and/or romance with dominant women, I would love more recs!
(no subject)
Sat, Feb. 12th, 2011 06:06 am (UTC)Poking through your journal, you've already read Loretta Chase and Meredith Duran, who are the two authors who play around with power relationships in a way I like. Plus it was you who got me into Marjorie Lui via 50books_poc (and from there romance novels in general, come to think of it. yay you ^_^) and she is alas the only romance author I've liked with POC protagonists. I saw you couldn't get through Duke of Shadows, I liked that she at least tried to poke at the evils of colonialism and was willing to have a hero who was less white than "part italian" but I can see how all the exoticism would be too much. I had wondered how much of my enjoyment of the book was only possible through the emotional distance of never having been exoticised myself.
(no subject)
Sun, Feb. 13th, 2011 02:20 am (UTC)For overall power relationships, I have just started reading Suzanne Brockmann, who has the nice dynamic of the guys usually falling head-over-heels for the heroine, giving her a lot more of the emotional control. I was particularly surprised by this in her Navy SEAL series, but pleasantly so! Connie Brockway also has the woman pushing more in The Bridal Season (I like it) and The Golden Season (sadly not so great). Oh! And there is Megan Chance's (out of print) Fall from Grace, which has a hardened female criminal and the guy who loves her. He is also a train thief, but she's got the cold and emotionless thing down.
Meljean Brook also tends to write paranormals with Guardians (angel-like but used to be human), demons, and vampires and cracked out worldbuilding, and I really like that she tends to have older, more experienced heroines with younger heroes. That said, sometimes older means 200 years instead of 60, given the paranormal, but still! The first two books in the series are very weak in terms of structure, and it's probably easiest starting out with Demon Night. I read the back cover of that and thought it would be all big guy protecting human girl, and while some of it is... the relationship dynamics were much more interesting than I had anticipated.
...uh, you may have noticed I have a thing for icy heroines.
Yay! I am glad you liked Marjorie Liu! Yeah... I couldn't get through Duke of Shadows, I think because the part-Indian hero in the British Raj setting with basically all white people made me think too much of the part-Indian (Native) hero in US Western romances, in which that bit of POC-ness only acts to make them more romantic or something. But ahaha, I also have a hair-trigger temper when it comes to the East India Company.
(no subject)
Thu, Feb. 17th, 2011 03:52 am (UTC)I was VERY DUBIOUS about Duke of Shadows and it (mostly) won me over, but I think that may have something to do with overidentifying with heroine (eg amongst other things my husband is of mixed white/Indian descent and I like painting :)) and definitely don't feel confident saying it would appeal to anyone but me.