November, Sharyn, ed. - Firebirds
Tue, Dec. 30th, 2003 02:21 amA nice batch of short stories that provided me with a few more names to look out for.
There was usually something I liked about every story. Particularly striking stories for me were:
- Delia Sherman's "Cotillion," an interesting take on Tam Lin in the 60s. I loved the blend of Faerie and music (which is pretty normal) and debutante ball of the 60s (which is definitely not).
- I loved the idea of Megan Whalen Turner's "Baby in the Night Deposit Box" and the details of growing up in a bank.
- Although I didn't fall in love with "Mariposa," the first few lines made me put down the book and giggle: "I've lost my soul?" Aimee repeated, almost losing her usual perfect control. The doctor nodded. "I think so. Probably in early adolescence. It happens more commonly than you might think." It sounds like such a Buffyverse type thing.
- Lloyd Alexander's "Max Mondrosch" creeped me out because that's how I felt during the job hunt, and so I don't think I'll be rereading that one for quite some time.
- Charles Vess is never bad.
- Really loved Patricia A. McKillip's "Byndley," a lovely faerie story that is near-traditional, with gorgeous language.
- I smiled the entire way through Kara Dalkey's "The Lady of the Ice Garden" for the sheer love of it and the weaving in of Japanese myth. IMHO, it's so hard to do Asian cross-over fantasies right, because too often the characters sound like Zen Masters or totally humble: "This unworthy person blah blah blah." Makes me roll my eyes. Technically, it might be a good translation, but I can never get over the awkwardness of it and the feeling of exoticism/fetishization. This lovely little story managed to perfectly weave in The Snow Queen with Heian Japan by only subtly alluding to the culture without having to shove it into the reader's face. And I loved the ending ^_^.
- Garth Nix's "Hope Chest" has been living in my head for a few days, even though (or most likely, precisely because) it scared the hell out of me and I desperately want it out of my head. Good story, creepy as hell.
- DWJ's "Little Dot," highly enjoyable, like all DWJ =). And, great cat voice.
Still very excited about the new imprint ^_^.
Links:
-
rilina's review
There was usually something I liked about every story. Particularly striking stories for me were:
- Delia Sherman's "Cotillion," an interesting take on Tam Lin in the 60s. I loved the blend of Faerie and music (which is pretty normal) and debutante ball of the 60s (which is definitely not).
- I loved the idea of Megan Whalen Turner's "Baby in the Night Deposit Box" and the details of growing up in a bank.
- Although I didn't fall in love with "Mariposa," the first few lines made me put down the book and giggle: "I've lost my soul?" Aimee repeated, almost losing her usual perfect control. The doctor nodded. "I think so. Probably in early adolescence. It happens more commonly than you might think." It sounds like such a Buffyverse type thing.
- Lloyd Alexander's "Max Mondrosch" creeped me out because that's how I felt during the job hunt, and so I don't think I'll be rereading that one for quite some time.
- Charles Vess is never bad.
- Really loved Patricia A. McKillip's "Byndley," a lovely faerie story that is near-traditional, with gorgeous language.
- I smiled the entire way through Kara Dalkey's "The Lady of the Ice Garden" for the sheer love of it and the weaving in of Japanese myth. IMHO, it's so hard to do Asian cross-over fantasies right, because too often the characters sound like Zen Masters or totally humble: "This unworthy person blah blah blah." Makes me roll my eyes. Technically, it might be a good translation, but I can never get over the awkwardness of it and the feeling of exoticism/fetishization. This lovely little story managed to perfectly weave in The Snow Queen with Heian Japan by only subtly alluding to the culture without having to shove it into the reader's face. And I loved the ending ^_^.
- Garth Nix's "Hope Chest" has been living in my head for a few days, even though (or most likely, precisely because) it scared the hell out of me and I desperately want it out of my head. Good story, creepy as hell.
- DWJ's "Little Dot," highly enjoyable, like all DWJ =). And, great cat voice.
Still very excited about the new imprint ^_^.
Links:
-
(no subject)
Wed, Dec. 31st, 2003 01:50 am (UTC)Same Lloyd Alexander! I've read Prydain and I think one or maybe two of the Westmark ones -- Kestrel and maybe Westmark (are those the Westmark ones?). I think in general I tend to enjoy Susan Cooper a bit more though.