Urushibara Yuki - Mushishi, vol. 01 (Eng. trans.)
Wed, Feb. 7th, 2007 05:28 pmThis is an odd beastie of a manga series.
Ginko is a mushishi, a master of mushi. "Mushi" usually means "bug" in Japanese, but in this case, mushi are primitive creatures that all other living things are connected to. The manga explains: If humans are the very tip of your finger, and animals and plants are represented by your palm, the muscles and blood and bone of your hand and arm would be insects and amoeba, smaller and less complex organisms. The further inside your body you go, the more primitive the things are, until finally, you reach the heart, which embodies mushi.
In this case, they are so formless and vague that they can take on many different forms; they act in a nearly supernatural capacity. Some take away your hearing, some live in your eyes, some become swamps or dream-eaters.
This first volume consists of several stories; Ginko diagnoses a person afflicted by mushi and attempts to cure them. The cases aren't straightforward, nor is Ginko's method scientific. He's a blend of doctor and shaman.
One of my favorite stories is about a boy whose left hand draws things that come alive. He writes, and certain kanji begin to change. The sun character begins to shine, the tree character puts forth delicate roots and branches, the bird character lifts its head off the page and wings through the air.
The stories themselves are beautiful and strange, the art sketchy but detailed. Ginko arrives and learns about the mushi, but he also listens to the people, of their fears and their hopes. The mushi clearly aren't monsters, though sometimes their effect on people is monstrous. Sometimes Ginko succeeds, and sometimes he doesn't.
These feel more like rediscovered folklore or small fairy stories; they brim over with the unexplained and the unexplanable.
I am not yet sure if this is the best thing I've read all year, but it's odd and delightful and strange, and it doesn't feel like anything else I've read.
Ginko is a mushishi, a master of mushi. "Mushi" usually means "bug" in Japanese, but in this case, mushi are primitive creatures that all other living things are connected to. The manga explains: If humans are the very tip of your finger, and animals and plants are represented by your palm, the muscles and blood and bone of your hand and arm would be insects and amoeba, smaller and less complex organisms. The further inside your body you go, the more primitive the things are, until finally, you reach the heart, which embodies mushi.
In this case, they are so formless and vague that they can take on many different forms; they act in a nearly supernatural capacity. Some take away your hearing, some live in your eyes, some become swamps or dream-eaters.
This first volume consists of several stories; Ginko diagnoses a person afflicted by mushi and attempts to cure them. The cases aren't straightforward, nor is Ginko's method scientific. He's a blend of doctor and shaman.
One of my favorite stories is about a boy whose left hand draws things that come alive. He writes, and certain kanji begin to change. The sun character begins to shine, the tree character puts forth delicate roots and branches, the bird character lifts its head off the page and wings through the air.
The stories themselves are beautiful and strange, the art sketchy but detailed. Ginko arrives and learns about the mushi, but he also listens to the people, of their fears and their hopes. The mushi clearly aren't monsters, though sometimes their effect on people is monstrous. Sometimes Ginko succeeds, and sometimes he doesn't.
These feel more like rediscovered folklore or small fairy stories; they brim over with the unexplained and the unexplanable.
I am not yet sure if this is the best thing I've read all year, but it's odd and delightful and strange, and it doesn't feel like anything else I've read.
(no subject)
Thu, Feb. 8th, 2007 08:09 pm (UTC)