Thu, Oct. 14th, 2004

oyceter: Stack of books with text "mmm... books!" (mmm books)
It took me absolutely forever to read this, mostly because I was constantly distracted by shiny fiction. As a result, I've sort of forgotten some of the essays in the book, which is a shame, because the book was really very interesting.

Disorderly Conduct is a collection of Carroll Smith-Rosenberg's assorted essays on women's history spanning from roughly the 1840s to the 1930s. There are essays on female friendship in the nineteenth century, the place of women's history or a feminist reading of history in the academic world, medical discourse on sexuality and menses during the Victorian era, and etc. I personally found all of the essays fascinating, particularly the one on female friendship and the one tracing the development of the anti-abortion movement in America.

I don't have much background in the subjects, but I think the essays are in general well-written and thought-provoking, although occasionally Smith-Rosenberg will draw some conclusions that I haven't necessarily come to. As a whole though, I like the scholarship and how the author is very careful to delineate the strictures of her research so that there aren't too many sweeping generalizations made, which is often my problem with what I've read in the sort of women's studies area. Mostly I just regret that she very often uses primary sources from the men's point of view, especially in the sections on medical discourse on sexuality. Also, there's a scarcity of primary sources from non-bourgeois women, but most of that is probably the lack of resources in that area rather than the author ignoring that aspect.

What I really wish the book had were some brief author's notes on each essay. Smith-Rosenberg mentions in the preface that seeing twelve years' worth of essays in one book is rather strange because of constantly changing philosophies and thoughts, and I was curious as to how she viewed each essay in light of her positions now. The author commentary on essays was probably one of my favorite parts about Ursula K. LeGuin's Dancing at the Edge of the World

The book definitely sparked many interesting thoughts, which I have mostly now forgotten. I vaguely remember some of them -- I was curious as to the strength of friendship between women back then and how that's held up now. Wanted to think more about the change from lesbian as symbol of non-reproductive relationships and thus as a threat to fertility to the lesbian as symbol of man-hating/man-replacement and thus a threat to manhood in general. Really wanted to know more about the history of abortion after this. And much more.

Table of contents listed out for anyone interested: here )

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Thu, Oct. 14th, 2004 10:52 pm
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First mess-up at work today, sigh. Hopefully it wasn't very big, and I got it fixed quickly, but still. My manager wasn't there when it happened so I will have to tell her tomorrow. Unfortunately, the person whose job I was helping out with was the one who found out and was sort of grumpy about it.

I don't like being yelled at. And I am very sensitive to being yelled at, so what some people may just consider brusque is pretty scary for me. I was thinking about this after said incident today and about the guilt vs. shame society. I can't remember who said it (maybe Ruth Benedict of The Crysanthemum and the Sword) and how Asian cultures are supposed to be cultures of shame while Western cultures are more cultures of guilt. When I first heard this, I sort of shook my head and thought, wow, horribly essentialist. Now I'm wondering if the fear of yelling is part of the culture of shame thing? Or maybe it's just me. Because I think I would do a lot more things if I thought no one would catch me. Well, not thought. If I was sure of it. But I really dislike confrontation and arguments and being yelled at. And I never quite know how to respond, so mostly I think I just try to out-polite people.

I also just noticed today while talking to some old friends I haven't kept in touch with for a while (no, Anlee, I'm not talking about you!), I try to make my life seem as boring as possible. Mostly this is if I don't really trust them. But it's a sort of camouflage in a way... just be boring enough and ordinary enough and people will sort of just pass right by and not notice the true strangeness underneath. This is why I don't talk very much when I first get to know someone. It feels like I should sort of test the waters and let them talk more before I really start talking, because once I start talking, I don't really ever stop.

Memeage )

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