Bujold, Lois McMaster - The Curse of Chalion
Wed, Feb. 18th, 2004 02:11 amStayed up much, much too late last night finishing this, and then suddenly realized that it wasn't that spectacularly good.
I did like it, and it was a nice return to solid, world-building fantasy, a subgenre of which I find I'm reading less and less of now.
melymbrosia remarks in her review of Paladin of Souls that Bujold doesn't ever let her protagonists suffer too much for their mistakes, and I think that's the thing that I keep picking at in my head that makes this good, but not satisfying. This is particularly evident because I read it right after Fool's Fate.
Another thing that struck me was how corporeal the gods in this world were, how one could pray for things and have them granted and how real it was when they talked of things like miracles and saints. I'm not quite sure why that felt so peculiar to me; it's not as though fantasy is replete of gods or anything -- witness the David Eddings books and the Kushiel books, among many. I suppose with the Spanish influence, it felt a little more like a Guy Gavriel Kay book, which, outside of the Fionavar Tapestry, treats gods and religion much as they are in the real world. I enjoyed the setting, although I think I would have more with more detail and more depth -- I still don't think I have a good feel for the world outside of the five-god religion of theirs, no solid grip on the culture or the psychology or something that makes it different than just a Spanish-influenced fantasy world.
I very much enjoyed Cazaril and his age and his feel of having gone through too much. I particularly liked how he wasn't the fresh young boy from the village ala so many epic fantasies, brained by the fact that he was a bona fide hero out to save the world or stunned with the notion that he had some sort of epic destiny. I liked his acceptance of things and his fierce protectiveness toward his ladies. Lady Betriz was a bit meh for me -- didn't quite get as good of a sense of her personality, but I very much adored headstrong, smart Iselle. I am a sucker for a heroine who can play politics/court maneuvering.
More on Bujold protecting her protagonists ( here, with spoilers )
I did like it, and it was a nice return to solid, world-building fantasy, a subgenre of which I find I'm reading less and less of now.
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Another thing that struck me was how corporeal the gods in this world were, how one could pray for things and have them granted and how real it was when they talked of things like miracles and saints. I'm not quite sure why that felt so peculiar to me; it's not as though fantasy is replete of gods or anything -- witness the David Eddings books and the Kushiel books, among many. I suppose with the Spanish influence, it felt a little more like a Guy Gavriel Kay book, which, outside of the Fionavar Tapestry, treats gods and religion much as they are in the real world. I enjoyed the setting, although I think I would have more with more detail and more depth -- I still don't think I have a good feel for the world outside of the five-god religion of theirs, no solid grip on the culture or the psychology or something that makes it different than just a Spanish-influenced fantasy world.
I very much enjoyed Cazaril and his age and his feel of having gone through too much. I particularly liked how he wasn't the fresh young boy from the village ala so many epic fantasies, brained by the fact that he was a bona fide hero out to save the world or stunned with the notion that he had some sort of epic destiny. I liked his acceptance of things and his fierce protectiveness toward his ladies. Lady Betriz was a bit meh for me -- didn't quite get as good of a sense of her personality, but I very much adored headstrong, smart Iselle. I am a sucker for a heroine who can play politics/court maneuvering.
More on Bujold protecting her protagonists ( here, with spoilers )