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The book isn't so much a progressive history of the development of the human senses through evolution or something, which is what I thought when I read the title. Rather, it's a collection of essays roughly centered around a biological/scientific viewpoint of the senses, but with a thoroughly poetic point of view. It's split into six sections -- one for each of the five senses, and the last for synesthesia.

Alas, I have let a little too much time lapse before writing about this, so I can't clearly recall all the essay topics, but they range from assorted things from a general overview on the importance of touch to psychological well-being to recordings of humpback whale song to the wonderfully elusive smell of violets. I love how Ackerman combines scientific knowledge with a poet's sensibility, because in the end, I feel arts and sciences aren't opposites, but rather, complimentary subjects.

I probably learned a great deal of assorted random trivia from this book -- Empress Josephine was enamoured of the smell of violets, and the smell itself is so elusive because it is based on a chemical that basically shuts down our sense of smell after smelling it for a while. But then your sense of smell returns after a bit, so then you smell it again. It may be a little pop-sciencey for people who are very good at the sciences, but it's at just about the right level for me, and I enjoy how Ackerman uses it to make me think more about what I'm feeling and smelling and tasting and viewing. Instead of making these things prosaic by applying scientific knowledge, the added knowledge makes these essays even richer and even more evocative, which is quite a skill in and of itself.

I was very entranced by all the essays, although they may be best appreciated when read in small doses, as I did. Who knows? I feel like somehow Ackerman's essays have made me just that much more aware of the physical world around me and how I process it, and it's made me more appreciative of the sensual, which I am glad of.

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Tue, Mar. 15th, 2005 05:44 pm (UTC)
Posted by [identity profile] angeyja.livejournal.com
Goodness. *g* But yes, very much enjoyed the review.

re: books on depression. I found Kay Redfield's work helpful. I have to be in the right mood for that kind of reading, myself. Generally best absorbed when I am pretty far from a bad mood and can assimilate it. From there, books like that can help make sense of things, and also be reinforcing. In a down spot, I tend to use light things or books where the heroine is strong. I am unusually text sensitive though.

And I understand about the touch part *hug* that was part of what tickled so with the recycled silk yarn, not just the vibrant colours but the feel of it. Fabrics too. I may wear a lot of blacks but I will tend to vary texures like today black silky tee, black ultrasuede slacks and then a dhiffon scarf that is beaded and fringed.

I read a short interview with the illustrator for the Harry Potter books that was evokative. She mentioned at the end tasting the character, and I was thinking then of your post and also how it's about fully experiencing soemthing and conveying that.

The subliminals too how communication can depend on eye contact tone of voice body language and that inexplicable bit that is atmosphere or more tritely "vibes."

(no subject)

Thu, Mar. 17th, 2005 05:42 am (UTC)
Posted by [identity profile] angeyja.livejournal.com
Sure. I some times talk about how deep in I read or that I still read in that very focussed way a child does. What I mean more practically is that I really have to watch what I read when I am in a more fragile place (like under a lot of environmental stress.) Too much about ceratin thingslike violence can trigger a not a depression but ceratinly a very low state, and also, reading something fun can help.

I am not sure about whether or not this is connected soemhow to my learning style. I fall in the 30% minority that learns by text (as opposed to the majority that learns best with a combo of text/visual and listening.)

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