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[personal profile] oyceter
I skipped the other Watch books between Feet of Clay (partially read) and this one, largely because the Watch kind of annoys me. Don't get me wrong; I love Vimes. But Carrot doesn't interest me much, and Pratchett seems to use the Watch books to get in messages about sexism and racism that are well-meaning but do not take power differentials and institutional oppression into account.

Night Watch is more about rebellions, revolutions, and Les Miserables, only with time travel, cynicism, and a central tragedy that may or may not reoccur. And that tragedy is all the more effective because the men who die are not idealistic students. But mostly, it's got Vimes being Vimes, and I especially loved all the scenes in which he's trying to do the right thing by his younger self.

Also, getting glimpses of a younger, non-Patrician Vetinari is priceless.

I'm not entirely sure what to think about this; I like it a lot, and it affected me emotionally. But on the other hand, I'm not entirely sure if I agree with what Pratchett is saying, as is the case with some of his other books. In the end, his overarching humanism wins me over, even as I can't help but feel that there are some missing pieces of the puzzle.

(no subject)

Tue, Feb. 3rd, 2009 07:47 pm (UTC)
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
Posted by [personal profile] sanguinity
I need to go back and re-read Night Watch, now that I've most of the Watch books; 'twas Night Watch, after all, that made me a Watch fan. (It might have been the first Pratchett I read, too -- I don't remember non-Patrician Vetinari at all.)

:: In the end, his overarching humanism wins me over, even as I can't help but feel that there are some missing pieces of the puzzle. ::

I've got about the same assessment. It doesn't grate that badly for me in the Watch books, because it's typically the pieces that Vimes wouldn't get. And he's almost the narrator, after all. A good deal of the time I can mentally edit past it: add it in, and keep moving.

But there are places in Pratchett when I can't edit past it. I ended up ditching Nation after forty pages or so, because Pratchett's usual thesis of "all societies are comprised of fairly simple people doing quaint and stupid things" doesn't read nearly as well when the only society portrayed so far is one that's stereotypically portrayed as simple, quaint, and stupid. (I know you gave the book better marks than that in your review, and I very much believe that he eventually got around to treating British culture the same way, but I wasn't in the mood to push through that much of the one to get to the compare/contrast.)

And the alcoholic Indian spirit guide in Reaper Man made me freakin' insane. No actual book throwing on my part, but copious ranting and teeth-gnashing whenever he made an appearance.

There's stuff Pratchett consistently does that I absolutely adore, but there are times that he just falls so painfully short... Ergh. Why can't he just make it easy for me to feel a single internally-consistent thing about him, hm? Is that too much to ask of my authors?

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Wed, Feb. 4th, 2009 02:37 am (UTC)
Posted by [identity profile] lady-ganesh.livejournal.com
It doesn't grate that badly for me in the Watch books, because it's typically the pieces that Vimes wouldn't get. And he's almost the narrator, after all.

I find his limited perspective is a real help, though there are still some dodgy bits if you start thinking about it too hard.

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