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oyceterShayla's twelve and living in a poorer section of Houston with her mother and her sister Tia. She wants to be a writer, but the poetry classes she wants to take at the community center get cancelled; she loves her sister, but Tia's been hanging around a boy lately and pissing off their mom; and she's found a new friend, Kambia, only Kambia tells strange stories and seems to be in a lot of trouble.
This sounds a lot like a problem novel and feels like one in places, though I'm still not sure if I would classify it as such. It addresses issues like teenage mothers and poverty and abuse, but I was surprised and pleased by how the Tia plot played out. Then again, the resolution of the Kambia plot was obvious from the very beginning, and I could use with fewer "very odd friends who tell stories" characters.
I think what ended up saving it from being a problem novel was how real Shayla felt, particularly her relationships with her mother, grandmother and sister.
Not a horribly exciting book, but not a bad one either, and I'm curious enough to check out the sequel.
On a side note: how do you guys define a YA problem novel? And how can authors balance including issues in their books without making the book into a problem novel? Because I do think it's important to address things like class and race and sexuality, but I hate anvils.
This sounds a lot like a problem novel and feels like one in places, though I'm still not sure if I would classify it as such. It addresses issues like teenage mothers and poverty and abuse, but I was surprised and pleased by how the Tia plot played out. Then again, the resolution of the Kambia plot was obvious from the very beginning, and I could use with fewer "very odd friends who tell stories" characters.
I think what ended up saving it from being a problem novel was how real Shayla felt, particularly her relationships with her mother, grandmother and sister.
Not a horribly exciting book, but not a bad one either, and I'm curious enough to check out the sequel.
On a side note: how do you guys define a YA problem novel? And how can authors balance including issues in their books without making the book into a problem novel? Because I do think it's important to address things like class and race and sexuality, but I hate anvils.