Jones, Diana Wynne - The Power of Three
Fri, Jan. 2nd, 2004 06:58 pmThis is one of Diana Wynne Jones' earlier books. A fun romp, not quite up there with the Chrestomanci books or with my favorite, Fire and Hemlock, but still good. Sometimes I feel like DWJ is just pulling elements together and being more clever and funny than going for depth, but she does it so lightly and so enjoyably that it's hard to be put out. I particularly liked the narrative tone of this book, with a more traditional opening for the first two chapters, in which you know you are being told a tale. It's not quite like the Victorian chapter headings Patricia C. Wrede put on her Dealing with Dragons books or that Neil Gaiman used for Season of Mists ("In which blah blah"), but it lends a nice weight to the story.
Then, of course, the voice the story is actually told in is quite different from the more traditional tale one might expect. I love how prosaic the prose is, deceptively simple. Everything is quite matter of fact (reminds me a bit of Dark Lord of Derkholm, especially the bit where Blade is thinking about his reaction to battle), and the tone serves as an interesting counterpoint to the tragedy that happens early on in the book. It's enough to make the reader realize the weight of the act, yet, not enough to terrify kids out of their minds.
I really liked Adara from the first chapter, and I was a little sad when we switched to Gair, her son. But Gair has an interesting, straight forward thought process, and it's particularly enjoyable listening to him think about his relationship with his father. Well, not enjoyable, since he's not too happy, but clear. I remember OSC once said people would complain Ender's Game wasn't very literary because it was perfectly understandable, but he said that was exactly what he was going for. I feel DWJ does the same.
I also liked the interplay between the siblings and later one with the other two races that they lived with. I particularly enjoyed it when the present day made itself heard, and several preconceptions largely due to fantasy stereotypes were overturned.
Fun book.
Then, of course, the voice the story is actually told in is quite different from the more traditional tale one might expect. I love how prosaic the prose is, deceptively simple. Everything is quite matter of fact (reminds me a bit of Dark Lord of Derkholm, especially the bit where Blade is thinking about his reaction to battle), and the tone serves as an interesting counterpoint to the tragedy that happens early on in the book. It's enough to make the reader realize the weight of the act, yet, not enough to terrify kids out of their minds.
I really liked Adara from the first chapter, and I was a little sad when we switched to Gair, her son. But Gair has an interesting, straight forward thought process, and it's particularly enjoyable listening to him think about his relationship with his father. Well, not enjoyable, since he's not too happy, but clear. I remember OSC once said people would complain Ender's Game wasn't very literary because it was perfectly understandable, but he said that was exactly what he was going for. I feel DWJ does the same.
I also liked the interplay between the siblings and later one with the other two races that they lived with. I particularly enjoyed it when the present day made itself heard, and several preconceptions largely due to fantasy stereotypes were overturned.
Fun book.