Entry tags:
Tepper, Sheri S. - Grass
A plague threatens humanity throughout the universe, save on the planet Grass. Sanctity, the church that rules Earth, sends the Yrarier family to Grass in hopes that their affinity for horses and horseriding will somehow allow them to get closer with the aristocracy on Grass (the bons) to hopefully find a cure for the plague. However, the humans on Grass are limited to a small area due to the bons' unwillingness to kill too much of the ubiquitous grass that covers the planet. Unsurprisingly, there's a surprise regarding the planet and the bons' strange predilection for hunting, albeit not quite with horses, hounds, and foxes.
Meanwhile, Marjorie Westriding Yrarier's marriage is falling apart and the trip to Grass stresses it further.
I thought this was all right, albeit with frustrating characters, until the big reveal. Marjorie is almost never wrong, her husband is a two-dimensional ass, her daughter is just like her husband, and the son who resembles her is just like her. The brothers and elders at the Grassian Church are more interesting at least.
Also, much of this felt like Speaker for the Dead to me, only less interesting.
Spoilers for Grass and Speaker
I suspect I would have been more into the slug-things to hounds to Hippae to foxen reveal had I not read Speaker before, with its central transformation from pequenino to tree. However, I haven't read a lot of SF, so this could very well be a trope that I don't know, so I was willing to give that a pass. And then, the big reveal is that... the Hippae are malevolent and evil! Just like they are hinted to be from the very beginning of the book! Not only that, there is no reason for them to be malevolent and evil except for the fact that it was a random mutation down the line. Unimpressed!
Also, when I can predict that the Hippae are spreading the plague in the form of the dead bats about a hundred pages before the characters have figured it out, something is wrong. I normally am terrible at figuring out things ahead of the big reveal, so I am fairly sure this was pretty obvious.
I did like the message about the foxen's fence-sitting being damaging and the metaphor of humans as viruses, but mostly I was incredibly annoyed that there wasn't a big reveal behind why the peeper-hound-Hippae-foxen transformation was the way it was (no explanatory planetary trauma sparked by a DNA-unraveling virus), and no larger reveal to why the Hunt save that the foxen would eat peepers.
So... did I miss something really huge? I do not understand why this is supposed to be groundbreaking ecological SF? (My copy has a quote saying "a subtle, complex meditation on ecological disaster.")
Meanwhile, Marjorie Westriding Yrarier's marriage is falling apart and the trip to Grass stresses it further.
I thought this was all right, albeit with frustrating characters, until the big reveal. Marjorie is almost never wrong, her husband is a two-dimensional ass, her daughter is just like her husband, and the son who resembles her is just like her. The brothers and elders at the Grassian Church are more interesting at least.
Also, much of this felt like Speaker for the Dead to me, only less interesting.
Spoilers for Grass and Speaker
I suspect I would have been more into the slug-things to hounds to Hippae to foxen reveal had I not read Speaker before, with its central transformation from pequenino to tree. However, I haven't read a lot of SF, so this could very well be a trope that I don't know, so I was willing to give that a pass. And then, the big reveal is that... the Hippae are malevolent and evil! Just like they are hinted to be from the very beginning of the book! Not only that, there is no reason for them to be malevolent and evil except for the fact that it was a random mutation down the line. Unimpressed!
Also, when I can predict that the Hippae are spreading the plague in the form of the dead bats about a hundred pages before the characters have figured it out, something is wrong. I normally am terrible at figuring out things ahead of the big reveal, so I am fairly sure this was pretty obvious.
I did like the message about the foxen's fence-sitting being damaging and the metaphor of humans as viruses, but mostly I was incredibly annoyed that there wasn't a big reveal behind why the peeper-hound-Hippae-foxen transformation was the way it was (no explanatory planetary trauma sparked by a DNA-unraveling virus), and no larger reveal to why the Hunt save that the foxen would eat peepers.
So... did I miss something really huge? I do not understand why this is supposed to be groundbreaking ecological SF? (My copy has a quote saying "a subtle, complex meditation on ecological disaster.")
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Bah.
And it wasn't even fun, either, just blah blah Marjorie angst blah.
...let me take that back. I kinda liked the evil Hippae. I liked them because they were evil. Which made them the best thing in the whole book.
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I tend to be annoyed by Tepper's politics (even when I agree with her!) but I read a lot of her fantasy years ago and generally enjoyed it. So Grass might have gotten extra critical attention more because it was a departure for her than because it was groundbreaking in general.
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This means 17 years ago, if I can subtract correctly. A huge amount has happened since then; Clinton hadn't even been impeached. It also wasn't verboten to speak of overpopulation; the first female secretary of state, Madeleine Allbright (1997) hadn't yet served; the internetz not yet happening except for a few, mostly in government or the computer industry; we hadn't mapped the human genome -- dna wasn't a household word then even and the staple of crime television reveals. The book looked very different then. I didn't see the bat virii thing a hundred pp. in as you did, for instance. I loved the book because I couldn't see what was coming or the answers to the mysteries, unlike almost all the genre fiction that I was already starting to get tired of for just those reasons. Books don't stay the same over time, any more than the people who write them
Love, c
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In a way, I think The Gate to Women's Country actually works best of all the Tepper I've read (admittedly only four or five books), because in that one, the "good" side admits that yeah, they're kind of awful in their own way, and probably damned. (Plus the main character realizes that her bitchy sister is horribly constrained and frustrated by society, not just randomly bitchy.) So there's room to argue that their whole system isn't a tough but necessary choice but will not either improve anything at all, and that they've just traded one dystopia for another. I liked that (even though I got the feeling Tepper didn't intend it to go quite that far and that she expected us to buy the biological essentialism arguments).
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