oyceter: (bleach parakeet of doom!)
Oyceter ([personal profile] oyceter) wrote2006-07-10 07:25 pm

Yami no Matsuei, ep. 01-13 (all) (spoilers!)

I'll put up a non-spoilery overview post later, but I had to get some stuff out.

Spoilers for all of YnM!

I swear, I wrote up the first DVD of YnM separately, but I can't find it. Anyway, this is mostly just going to be on the Kyoto arc, because I was largely bored to death by the rest of it.

Well, bored to death partly. The other part was madly cackling.

And then I hit the final disc! Half of my reaction involves Tsuzuki and Hisoka and is, I suspect, fairly predictable, in that I adore the two of them together, and I lvoe how Hisoka jumps in for Tsuzuki. I love the angstilicious past of Tsuzuki's, down to multiple attempted suicides and not being able to die and finally deciding to go out in a giant flaming mess. Literally.

Most of this reaction involved me going, "AWWWWW!" at the screen.

The other half of my reaction is to Muraki and generally consisted of my going, "OMG YOU ARE INSANE!" at the screen.

This was alternated with frequent exclamations of "What. The. Fuck?!" along with the occasional interjection of, "It's a head! In a jar! You are trying to kill a head! In a jar!"

And then I'd go right back to "OMG YOU ARE INSANE!" with a generous helping of "Ewwwww! Don't touch Tsuzuki OMG GROSS! Non-consensual! Ew! Coma! Ew! Ew! Ew! Ew! Head! Ahhh!"

Muraki makes my brain explode.

I mean... disembodied head! In a jar! With wires!

He was trying to revive the disembodied head of his brother so he could kill it again!

Head!

In jar!

WTF?!

I am so not getting over this.

[identity profile] rachelmanija.livejournal.com 2006-07-11 04:37 am (UTC)(link)
He was trying to revive the disembodied head of his brother so he could kill it again!

Ah yes, with all the insane stuff I've been reading and watching lately, it's good to be reminded that I was watching some insane stuff right from the beginning.

I adore the Kyoto scenery, Tsuzuki's angst, Hisoka's snarky love, Tatsumi's repressed love, and the vows of love in flames. I also like the floating research chickens in tennis shoes and ruffled bonnets.

All of that stuff I like so much that it was worth putting up with much boredom earlier, but the Kyoto episodes are probably the only ones I'd ever re-watch.

PS. I wrote some YnM drabbles in memories that are now safe to read. The one set during the flaming angst is the very first piece of fanfic I ever wrote.
seajules: (count cain)

[personal profile] seajules 2006-07-11 05:48 am (UTC)(link)
Well, the anime team did seem to make an effort to make it all coherent, but there's only so much you can do with Matsushita's cracktastic manga. Of which Muraki's entire characterization is one of the more cracktastic elements.

I don't think I've met a fan for whom the Kyoto Arc was not their favorite in the anime. The other Arcs have their moments, especially the Nagasaki Arc, but Kyoto really is the climax and culmination. Also, Oriya. Mmm, yes.

And now when I say Cain is like Tsuzuki and Muraki's bastard lovechild, you will know what I mean.
ext_6428: (ynm (dry roots love rain))

[identity profile] coffeeandink.livejournal.com 2006-07-11 10:34 am (UTC)(link)
Oh, Muraki and his sad childhood about which I just do not care and his brother's head in a jar and his talking aloud at the theater, ick.

But more importantly:

FIRE DEATH FLAMES ETERNAL LOVE awwwwwwwwwwwwwww.

I read the manga, which is pretty incoherent, just for the additional hit of Hisoka/Tsuzuki and more Hisoka backstory.

[identity profile] wordsofastory.livejournal.com 2006-07-11 04:18 pm (UTC)(link)
Oh, Yami no Matsuei. That was the first anime I ever saw, and I still adore it whole-heartedly for the flames and suicide attempts and promises of love. Despite how crack-filled much of the plotting is.

[identity profile] wakinghour.livejournal.com 2006-07-14 02:22 am (UTC)(link)
Once you get through Kyoto, it's interesting how much of the crap from the rest of the series a person becomes willing to accpet *g*