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Claymore readers might be interested in this post on women warriors and the male gaze. Spoilers through v. 15. I kind of noodled in the comments, but my brain is too dead to come up with anything coherent.
bleach sting like a bee
Several people reading this is making me want to catch up too!

I figure the cut-tag text is not spoilery if you are reading shounen...

Spoilers face even bigger bads! )
mmm books
So far, two hits, two misses, and one in the middle. Jewel so far tends to focus on the male POV and on male pleasure during sex, which is relatively different. As such, sometimes it has the man losing control during sex, but not always, and the focus on male pleasure while sometimes outright ignoring female pleasure takes away from why I like romances in the first place. Still, her later historicals focus on people who are not conventionally pretty and/or handsome, and there's a lot of character-driven romance without many Big Misunderstandings or other plot devices.

Alas, the one and half paranormals I've read by Jewel kind of suck.

Indiscreet )

Lord Ruin )

Scandal )

The Spare )

Stolen Love )

Worth reading: Scandal (probably best of the bunch), Indiscreet if you can stand the evil pashas and the Orientalism, Lord Ruin if you can get past the dubcon set up.
fuu woe
OMG. I have been down with this stupid cold for a good week now, after trying to sleep it off Wednesday, Thursday, and Saturday, and I am still tired and stuffed up and my throat hurts so much sometimes that I dread swallowing. I just want to run around flapping my hands at it telling it to just let me get better kthxbai. Or at least let me breathe unhindered?

In other news, I wasted the entire weekend by sleeping through most of it and reading trashy books when I wasn't sleeping.
mmm books
These are books 3 and 4 of Hoyt's Legend of the Four Soldiers quartet, which is about four survivors of a British regiment ambushed by Indians in the not-yet-United-States. (I will get to this rant in a moment.)

To Beguile a Beast - Mrs. Helen Fitzwilliam has finally decided to leave her keeper, the Duke of Lister, but she knows he'll go after her just to get her and his two bastard children back. She ends up trying to persuade naturalist Sir Alistair Munroe to let her stay as his housekeeper, since he desperately needs one. Alistair is the titular beast, as he was scarred and had two fingers cut off during aforementioned ambush. Thankfully, this book has relatively little about the ambush, which meant I could pretend to ignore it so as to not throw the book against a wall. Most of the plot revolves around Helen escaping the Duke of Lister, and amazingly, her two children are not nauseatingly cute. In fact, I actually really liked the very solemn and not at all cute Abigail. I like that the hero is actually scarred, as opposed to the usual "Oh WOES I am UGLY wait no it's only a mild scratch" thing, but I was rather unconvinced by how long the "I am not worthy of your love" thing was dragged out on Alistair's part. Overall, not bad, though I like her Princes trilogy better.

To Desire a Devil - Spoilers and rantiness )
midori happy
Happy birthday, [personal profile] coffeeandink! I hope the year to come has lots of good things in store.
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[livejournal.com profile] helptheproject is a fandom auction to benefit the The Virginia Avenue Project, a free afterschool arts and academics program. 100% of participating children graduate from high school. 95% go on to college. 98% are the first person in their family to go. Many of these kids are POC, and the main area the Project draws upon is low income and majority Latin@.

Due to budget cuts, unless we can raise $15,000 by mid-March, we will lose our centerpiece program.


I am not personally involved in the project, but over the years, [livejournal.com profile] rachelmanija has told me a lot about her experiences stage managing for the Project and working with the kids, from ant infestations in their summer camp to incredibly awesome-sounding plays that have shadow puppets of a man getting eaten by a wolf getting eaten by a shark getting eaten by a whale!

I'm offering a review of a book/movie/tv show. Please bid and save me from Rachel and Yoon, who seem to have nefarious plans for me! ;)
manga is crack
At least this year I'm getting it out before Chinese New Year! Though that's mostly because it's super late this year...

As usual, these are my favorites out of the sequential art I've read this year, as opposed to what came out this year. The "new-to-me" series aren't actually always new to me; some series in particular are on the list because though I started the series earlier, what I read this year was enough to put them on my favorites list.

I was pretty terrible about writing things up this year, thanks to grad school getting increasingly busy every semester. If it's linked, I wrote it up, but feel free to ask in comments about anything!

Overall, I largely paused in my attempt to read more manhua, as there's still not very much being published in Taiwan right now, and the quality isn't so great. I am so sad there has been nothing new by Nan Gong Yu! At least I saw her series running in a magazine, so I'm fairly sure she's still writing. Just... very slowly?

I also read much less new stuff, at least, that's how I feel. I started two massive rereads during the summer (FMA and Fruits Basket), and mostly I was looking for rereading or at least a continuation of a series I knew thanks to my brain being extremely worn out by school. I also went on a brief superhero comics run to find out what happens to Catwoman; unfortunately, aside from Selina's Big Score, which I loved (and which started me on said spree), the rest largely reconfirmed that I'm not much of a superhero comics fan.

Favorite new-to-me series )

Also recommended )

Favorite ending series )

Favorite continuing series )

Total: 236 (74 rereads)

All sequential art read in 2009 )
mmm books
In the not-too-distant future, Victoria Barnhardt is a former-hacker-turned-software-engineer for Visimorph, a ham-handed satire of Microsoft. In her spare time, she tries to create a conscious AI.

I am not sure this is a romance at all. In fact, I am not sure what it is, period. There seems to be too much suspense and running around and whatnot for a genre romance, and the worldbuilding is so shoddy that it hardly seems to be SF either.

This is all extremely unfortunate, as Vic is damaged, hates her own femininity, and still must somehow teach her now-sentient AI Jodie how to be human when she seems much more inclined to abandon humanity for computers. Jodie is sweet and innocent, given his status as a newly-sentient intelligence. By all rights, this would be an awesome, boundary-breaking book. Instead, it's quite a mess.

The main plot to steal Jodie from Vic is horrible even by bad suspense romance novel standards; the villains are patently cardboard, I can think of no motivation whatsoever for one of the characters, and another is somehow doing this out of love/obsession for Vic. The computer science is execrable. I found the means by which Jodie gets a human body to be morally and ethically shady, to say the very least, and the process by which this is done is unbelievable even for the usual AI-turns-human plot. And this is just stuff that has to do with the plot that I don't even care about!

Furthermore, although there are many really cool questions about gender, sexuality, and identity in the book, they are only thrown out there and then dealt with in the most summarily dismissive of fashions. Jodie decides he is a male program because he is logical and not emotional. Despite her railing at the sexism of the computer industry and her dislike of stereotypical femininity, Vic does not at all question that emotion and cooperation are biologically female traits, and from what I remember, what she teaches Jodie about gender and sexuality is cisgendered, heterosexual, and lines up neatly with all gender stereotypes. It is so frustrating! It could have been meta-commentary on how embedded these "default" notions about gender and sexuality are, even to those who hate the "default" framework, but instead, Squires doesn't even seem to think about the fact that she is bolstering the kyriarchy.

There are glimmers of neat things in the book, particularly Vic teaching the naive Jodie about basically everything, and although I found Squires' attempt to reconcile a human-computer romance somewhat silly, it was also charming ("I created you, but now you're too smart for me!") and would have been an actual conflict had the writing been better.

But there's just so much to dig through for that. In conclusion: extremely interesting premise, terrible, terrible execution.

Links:
- [personal profile] coffeeandink's write up
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Joy Kim recently posted on female friendships in shoujo, and I found myself doing a lot of "It's not shoujo, but..." Ergo, another list!

What are good manga series that respect and celebrate female friendships? And because it's so rare to find in manga, good manga series that respect and celebrate female romances as well?

Since Joy's list has the shoujo series, anything but shoujo here!

Here are some of mine:

Azumanga Daioh, by Azuma Kiyohiko - Not only is there a LOT of female friendship in this, there are only two or three male characters I can think of. And out of those, only one is human!

Claymore, by Yagi Norihiro - Like AzuDai, the ratio of female to male characters is heavily weighted toward the women. I love that the series takes all my favorite shounen tropes—being willing to literally give your comrades your arm, "I will get stronger to protect my precious people!," "I must defeat you one-on-one to prove my strength!," and camaraderie in the face of near-impossible odds—and gives almost all the major roles to the women, leaving the few men to be damsels in distress, comic sidekicks, or villains. There is so much depth to all the relationships among women in this series.

Emma, by Mori Kaoru - Although the driving plot is het romance, I love the many secondary female characters, from Mrs. Stowner to Aurelia and Mrs. Meredith's friendship to Emma's friendship with the maids to Eleanor and her sisters to Eleanor and Grace to Grace and Vivian. I particularly appreciate the many age ranges of the female characters.

Gunslinger Girls, by Aida Yu - Possibly controversial, as Aida also did the character designs for a hentai game that I think eroticizes underaged girls. But I very much love the bonding among all the little cyborg girl assassins and how they are each others' only family, makeshift though it may be.

Yotsuba&!, by Azuma Kiyohiko - There's the Ayase sisters and Mom, Ena's friend Miura, and Asagi's friend Torako. And, of course, Yotsuba! I like very much that the friendships are between sisters, mother and daughters, and across quite a few ages as well.

Sadly, I have read next to no yuri. Erica Sakurazawa is a bit hit-or-miss for me, and the Utena manga is nowhere near as awesome as the anime. There was a super-cute (and very NSFW) all-color yuri romance that I think [livejournal.com profile] octopedingenue recced to me, and I know I've seen several mentions of Kashimashi Girl Meets Girl and Maria-sama ga Miteru on my reading list. And, of course, Rose of Versailles, which I also haven't read.

Although I think both Naruto and Bleach have some great female friendships, what I've read of the series constantly underprivileges the female relationships for het romances or for the male friendships and rivalries, which is why I'm leaving them off this list. And though I love Urasawa, he tends to do the "single girl/woman." His female characters are frequently awesome, but they're also almost always the lone woman in a world of men.
mmm books
Of late, I seem to be incapable of reading anything but romances. I have even abandoned manga, the horror! And not just any romances, but all-White, all-British historicals, frequently with their class and gender issues. Yeah, I don't know what my brain is doing either.

Anyway, I bought this book used years ago, probably based off someone's rec on DW/LJ, and it has sat unread on my shelf until now, when I have strangely been in the mood for category Regencies.

Six years ago, Charles Everett, Lord Dragoner, married Delilah Bening, then promptly fled the next day to France. He has finally returned to England with a reputation in tatters to divorce his unwanted wife, but Delilah would still like to salvage her wreck of a marriage.

I am particularly fond of marriage of convenience/falling in love with your spouse plots, unrequited love from afar plots, and lots of yearning while trying to hide your feelings. This book has all three, frequently with emotionally wrought and painful conversations between Delilah and Dragoner. I loved Delilah's practicality about everything save her husband and how she manages to, well, manage everyone and everything except the one thing she really wants. Dragoner is one of those angsty rake spies from so many Regencies, but the overall impression is of a man painfully embarrassed and unhappy by what he must do, and I thought Kerstan was able to give him angst without dedicating the entire book to his angst.

Alas, the plot takes some unnecessary turns into the action-adventure genre, rather than stay with the conversations between Delilah and Dragoner. The plot itself seems a bit tacked on, and you know it's never good when other characters in the book even comment on how Dragoner basically manufactured the plot out of thin air. Rather than having Delilah and Dragoner in life-and-death situations, which made the emotional resolution at the end seem rushed, I wish Kerstan had stuck with the two slowly learning about each other.

Still, I enjoyed this a great deal for the quiet angst on both parties' side.

How are Kerstan's other books?
mmm books
Julian Southwood, Earl of Erith, will stop at nothing to be the next keeper of notorious courtesan Olivia Raines. Blah di blah notorious rake blah di blah courtesan's heart at risk blah di blah he will show her greater pleasure than she has ever known.

I am not sure why I keep picking up Anna Campbell, given that I threw Claiming the Courtesan and Untouched against walls after getting halfway through and two chapters through, respectively. Rape! Amazingly not sexy or romantic!

But I'm glad I did, because this book went completely against my expectations.

Minor spoilers )

I very much enjoyed that the book had a heroine with tons more angst than the hero, that the emphasis was on the hero learning to be not an alpha male, and that the hero's dead wife was not denigrated to make Olivia his One True Love. Again, it's sad that I'm amazed that the book acknowledges you can be in love for reals more than once in your life, but there you have it.

Unfortunately, the book loses steam around the 3/4s mark, and to generate more conflict, Campbell comes up with something that feels entirely out of character for Olivia and throws in bonus class issues and the couple from a previous book to boot. It's not enough to ruin the book for me, but I do wish it had ended more strongly.

Still, very interesting. So. Is it worth it for me to try Untouched again? (I hate the whole "I will totally assume you are an evil whore!" thing) How about Captive of Sin? (I am wary of PTSD from the hero's time in India and the Indian secondary character.) I'm still not trying Claiming the Courtesan again, as I was halfway through that and just hated the hero more and more as the book went on.
manga is crack
(original title: 失恋チョコラティエ)

Souta has been in love with his sempai Saeko ever since he laid eyes on her in tenth grade, but she's forever interested in cooler men than him. After a five-year stint in Paris, Souta has now returned to Japan to open his own chocolate boutique in order to win chocolate-loving Saeko's heart.

The characters consist of Souta, who is a bit idealistic and frequently makes me want to whap him; the flighty Saeko, who reminds me of Komatsu Nana, but without Nana's generosity or kindness; Souta's friend Olivier from France, who always seems optimistic and teasing; Souta's sister Matsuri, whom we only get glimpses of so far; and Souta's old co-worker Kaoruko, who is gruff, practical, and brusque in order to hide her emotions. (I, of course, love Kaoruko best so far.)

The premise of this sounds very much like a more flighty work of shoujo, but so far, the series actually reminds me most of Nana or Honey and Clover in tone. First, there's the mix of two stories: Souta and his store's rise in the small world of chocolatiers comprises one, while the other focuses on the lives and loves of Souta and his fellow chocolate store workers. But what really makes me draw the comparison is the way Mizushiro sensitively depicts everyone's love lives. Almost every character in the series has an unrequited crush on someone, and it's interesting to see how different characters use that emotion. Some choose to use it as inspiration or motivation to change themselves, while others choose to ignore it, to work to win over someone else's heart, or to simply enjoy being in love, even if it is unrequited.

The manga is full of small moments and significant glances, emotional subtext and things left unsaid. Some of the characters behave in ways the reader probably won't condone, but like Yazawa and Umino, Mizushiro has a great deal of sympathy for her characters and their frequently misguided hearts without necessarily agreeing with their actions.

And although Souta is the central character, I don't feel like the weight is terribly tilted toward the male characters. I suspect Kaoruko and Matsuri in particular will get more as the story goes along, and even though the women are frequently the objects of men's affections (the story so far is very heterosexual and cisgendered), I haven't gotten the sense that the are objects in terms of the plot. Instead, it seems as though Mizushiro will be delving into everyone's psyches.

The art is also very lovely; I don't remember any particular panels as standing out, but the character designs are pleasant and easy to distinguish between, and I of course love any of the sketches with chocolate in them. I'm a little sad Mizushiro doesn't go into raptures over assorted specific chocolates in her author's notes, but that's probably just me.

Sympathetic and complicated characters with some self knowledge and a narrative about chocolate: what's not to like?

I really hope this gets licensed along with Mizushiro's Kuro Bara Alice; it's lovely and feels very adult.
bleach doh
So the first day I got back from Taiwan, I had a bowl of soup... and then promptly threw it back up. Thankfully, I was able to keep down some egg cakes and therefore crossed out the Dread Wiscon Stomach Flu, but my stomach was really not too happy for a few days after.

Also, my netbook has been infected by the Antivirus Live virus. I am going to try uninstalling it before wiping the entire hard drive, especially because my disc with Windows XP on it may be somewhere in Taiwan.

California is getting flooded right now, and I have zero appreciation for the rain given that I have to walk a mile to school every morning. My umbrella has turned inside-out 6 times already. And alas, wearing rain boots doesn't help much when the rain is coupled with giant gusts of wind, nor does taking a bus over walking, as I discovered yesterday while waiting half an hour outside for a bus that never came.

On the plus side, jet lag is making me wake up at 6 in the morning! Very handy for 9am class.
mmm books
Lady Callista Taillefaire is a perpetual wallflower who has been jilted by three fiances, and she's quite content to stay a wallflower and concentrate on her cattle. But then, her childhood friend and not-quite-sweetheart Trevelyan d'Augustin returns, and he still has the habit of dragging her into every adventure he has. Soon, they are concealing cattle, attempting to evade various authorities, and getting into numerous scrapes.

This is so adorable! I didn't used to appreciate romantic comedies as much as I do now, given my predilection for Teh Angst, but a good romantic comedy is very much appreciated these days. Callie is a Kinsale heroine a la Olympia from Seize the Fire or Merlin from Midsummer Moon; that is to say, she's shy, retiring, and extremely cute in a non-treacly way. And while Trev has his angst, he is nowhere near as broody or as controlling as Sheridan or Ransom, and I love him to pieces.

Amazingly, given that this is a Kinsale, the plot does not contain penguins, desert islands, Hawaiian ninja (thank goodness), assassins, shipwrecks, or amnesia. It does have an agricultural show though!

There are several points in the plot that I thought were glossed over—(spoilers) I wanted a better explanation for the blackmail than "Trev's mom did it and since it was for the better, no one was hurt;" I felt Kinsale made Mrs. Foster as unsympathetic as possible so she could figure out a way to get Trev a pardon; Trev's mother was healed too easily; and I wasn't entirely satisfied with the treatment of Major Sturgeon. I also felt there was a little too much "I will not get involved with Callie for her own good" from Trev. Even though he had a good reason for it, after a while, I just wanted to whack him over the head and at least tell her his reasons and let her decide rather than run hot and cold all the time.

However, the book worked for me because of the absolutely charming interaction between Callie and Trev; I laughed aloud at quite a lot of the dialogue. I also adored Trev's relationship with his mother and Callie's relationship with his mother; the mother is awesome and I loved her. I do wish we could have seen a little more of Callie's relationship with her sister, as there seemed to be a good deal of rapport between them.

In conclusion: so cute! And I enjoyed the epilogue's version of the requisite baby scene, (not-really-spoilery spoiler) though it would have worked better had there not been Callie and Trev's actual baby as well.
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(transliterations taken from Wiki, as doing the Chinese-to-Japanese-to-English transliteration is a bit beyond me)

Do I even need to do a plot summary for this? Anyway. Tsukino Usagi is your normal 14-year-old girl: perpetually late for school, not too studious, and a bit of a klutz. Until one day she finds a talking cat, who then informs her that she is Sailor Moon, defender of love and justice, or some such.

I read bits of this back in eighth grade in the dentist's office when I was getting my braces tightened; the dentist only had pieces of the series, so all I remember is picking up whatever volume had the prettiest cover and reading it that way. I also used to watch episodes when they were on right after school. Even though my sister and I made terrible fun of the Chinese dub, how much of a cry baby Usagi was, and how boring the monsters of the week were, there was still enough to it to make me look up fanfiction back in high school.

Now that I've read the entire thing, I think it is a flawed series, but I can also see why it had such a following. The characterization is nearly non-existent; the inner guardian sailors outside of Usagi and Chibi Usagi are basically collections of random traits. Ami is smart and likes blue, Makoto loves baking, and etc. When we meet the outer guardians, things are much more interesting, although they still don't get as much time as I remember them getting in the anime.

And yet. Takeuchi has created an extremely compelling world and not fully filled it in (which is why I think it is so great for fic). There's reincarnation and flash forwards, and each additional story arc continues to expand the universe, both in terms of what we know of the past and what will happen in the future. I also forget how female-centric the series is when I'm reading; there are extremely few male characters, so much so that you don't even notice how female-centric it is because female is so much the default. There's also remarkably little about romance and much, much more about wanting to protect your most important people and the world.

Spoilers for the first three arcs of the anime and the manga even though I feel a bit silly spoiler protecting for something this well known )

Overall, the series is both cool and frustrating; cool for all the ideas and concepts, and frustrating because I keep wanting characters and situations to be explored much more than they are.
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Back in the States, fuzzy from jet lag and overall tiredness (could not fall asleep on the plane, argh), completely behind on everything. I've been very generally monitoring LJ and DW over the past week or so, but I've probably missed a ton of stuff.

So not looking forward to going back to school, sigh.
mmm books
I have been binging on romance novels ever since school got difficult, and thankfully, I managed to glom onto Mary Balogh, whom I haven't read before and has an extensive backlist I can dig into. I've previously picked up her books before, but was unimpressed by the prose and dialogue, which tends to be fairly expository rather than lively. Balogh also tends to do giant series in which all the other protagonists show up, usually with lots of children.

However, she also writes non-alpha heroes and focuses a lot on the heroines, and for that, I will suffer through a lot of sequelitis. Plus, because I love many of her characters so much, I am less annoyed to see them show up happy (although the Bedwyns still grate on my nerves a bit). Balogh's heroes tend to be quiet and honor-bound, and even the rakes I've encountered have not been very rakish. They also usually fall in love, rather than lust, with the heroines, and I very much like that many of her books are about the heroines deciding if they will be able to live with the heroes, even if they are both in love. Her heroines also tend to get quiet angst and character development, as opposed to existing solely to nurse the hero through his angst, which I also approve of. I wish there would be a few more commoner heroes and titled heroines, as opposed to vice versa, but as I said, I will forgive a lot for romances that read like actual romances and make me believe the hero and the heroine are genuinely in love and will remain so.

At Last Comes Love )

A Precious Jewel )

Simply Magic )

Slightly Dangerous )

Slightly Tempted )

A Summer to Remember )

So what Balogh books do you guys rec, and which ones should I stay away from?
manga is crack
Spoilers )

Overall, an enjoyable three volumes that are a slight comedown from the high of vol. 20, but building up a new arc.
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Back in Taiwan! Sadly, only here for another few days before school starts and I have to go back to the US.

三槍拍案驚奇/A Simple Noodle Story - 張藝謀/Zhang Yimou's newest movie, and a damn weird one too. It's based off of the Coen Brothers' Blood Simple, but from what [livejournal.com profile] rachelmanija says, this one is actually more Coen Brothers-esque than the original! A murder takes place in a tiny noodle shop in a deserted region of China, and half-hilarious, half-grotesque hijinks ensue. It has Zhang Yimou's now-signature color-coding and beautiful camera-work and all the violence and awkwardness of the Coen Brothers, with the addition of noodle throwing and a truly bizarre song-and-dance sequence at the end. I don't think I'd recommend it unless you're really up for something weird, and I'm still not sure I enjoyed it, but it was definitely an experience!

花木蘭/Mulan - With 趙薇/Zhao Wei/Vicki Zhao from 赤壁/Red Cliff (she played 孫尚香/Sun Shangxiang). An adaptation of the story of Hua Mulan, done with lots of extras, battles, and etc. I didn't remember much of the original poem at all when I watched this, save the loom and the twelve years, but it's interesting to see that the visit to the emperor is canonical! The beginning feels more like the Disney Mulan, though with less emphasis on the disappointment. I thought it was interesting that they still stuck with her sneaking off, especially since the press I've seen on this indicates that the director really wanted to make something different from the Disney version. However, most of the movie is not on Mulan's personal growth to accept who she is; rather, since she's in battle for twelve years, most of it is about her becoming a great general. The director also set this in the Wei Dynasty battling the Rouran nation (tribe? It feels weird using "nation" pre-nation-state-formation, but "tribe" feels so dismissive). Unsurprisingly, the Rouran are portrayed as more barbaric with furs and skins and such, but the movie mostly lays the blame on one Rouran ruler rather than all the people. And the Rouran princess was unexpectedly awesome and part of one of my favorite parts of the movie.

Spoilers )

Overall, more character development and less wuxia than I had expected. Some pacing problems, but I enjoyed it a lot.

終極三國/K.O. 3anguo - OMG people. Someone in Taiwan has remade Romance of the Three Kingdoms as HIGH SCHOOL AU! Like, this was actually filmed! Since I was only able to get through 15 minutes of it, that is all I can report on. 關羽/Guan Yu and 張飛/Zhang Fei have been kicked out of way too many schools, and when they meet a guy named 劉備/Liu Bei, he promises he can get them in one. There are also four time travelers (don't ask me).

All seven of the guys I have met so far have distinctly different hairstyles, which is really an accomplishment in and of itself. It was very handy for character identification.

Also, Guan Yu presses a button on his watch to magically zap his weapon into existence.

And then, the time travelers drop a coin which ends up tipping over a boulder that squashes Liu Bei right after the three swear to be brothers. (Seriously, don't ask me.)

I am not even describing the extremely bizarre and strange sound effects, visual effects (picture the heads of Guan Yu and Zhang Fei on little cartoon bodies), and plot or complete lack thereof. And did I mention the time travelers? That's about when I stopped watching!

One of my friends says it is fairly popular in Taiwan. I am completely at a loss.

Sherlock Holmes - I succumbed and watched! It was suitably funny and snarky, though I didn't appreciate the totally-non-subtext of "Women ruin everything between two men!" I desperately wanted to love the Irene Adler character, but she needed a much better actress. They really should have cast someone with the chops to stand up to Robert Downey, Jr. and Jude Law, but sadly, they seem to have gone for looks instead. The movie also continues the rule that Satanism in fiction makes things funnier (thankfully, the movie was not very serious about the Satanism). And finally, although I am sure I will enjoy the snarky Holmes/Watson that fandom is inevitably writing right now, what I really want is fic with a much snarkier Irene Adler outwitting Holmes a lot.

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